The story of us.

The primary inspiration of the game is the visual style and history of Paleolithic cave paintings (Figure 1). These cave paintings represent one of the earliest known forms of human artistic expression, and attempts at recording and replicating the life around them. Although without a narrative stru...

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Main Author: Ooi, Samantha Chen Na.
Other Authors: Kenneth Feinstein
Format: Final Year Project
Language:English
Published: 2013
Subjects:
Online Access:http://hdl.handle.net/10356/52366
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Institution: Nanyang Technological University
Language: English
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spelling sg-ntu-dr.10356-523662019-12-10T13:21:59Z The story of us. Ooi, Samantha Chen Na. Kenneth Feinstein School of Art, Design and Media DRNTU::Visual arts and music::Media The primary inspiration of the game is the visual style and history of Paleolithic cave paintings (Figure 1). These cave paintings represent one of the earliest known forms of human artistic expression, and attempts at recording and replicating the life around them. Although without a narrative structure, these cave paintings attempt to tell a story of their lives, as they knew it. They were the first attempts by humankind to graphically keep a visual record of their lives, and thus one of the first forms of artistic expression by humankind. Inspired by the graphic style of these original cave paintings, I wanted to introduce a narrative structure with the visual style. Rather than presenting an animated story however, I wanted to make a video game, as this was most appealing to my major of interest as well presenting more opportunity in using the art style in a medium it is not commonly seen. Hence, my project was to create a 2-dimensional video game, conveying the visuals that were my primary inspiration, as well as allowing interactivity for players of the story. The game contains the elements of an interactive narrative. The premise of the game was that it is a story retold, and an omniscient narrator narrates the player’s actions as well as being a way for in-game hints and instructions were communicated to the player when required. Furthermore, the player had the ability and opportunity to affect certain story elements during gameplay. These range from cosmetic or esoteric changes such as the narrator prompted to comment differently; to game-changing effects that may affect the level’s layout, the attributes of certain creatures and so on. In this way, players find the gameplay and narrative more organic as it responds to their individual actions. It makes each player’s play through unique to them, as well as adding replay value as they try to find different ways to overcome the levels. Thus, each player’s complete ‘story’ became different from another player. This was a way to personalize the playing experience to the player. Bachelor of Fine Arts 2013-05-07T01:06:27Z 2013-05-07T01:06:27Z 2009 2009 Final Year Project (FYP) http://hdl.handle.net/10356/52366 en Nanyang Technological University 15 p. application/pdf
institution Nanyang Technological University
building NTU Library
country Singapore
collection DR-NTU
language English
topic DRNTU::Visual arts and music::Media
spellingShingle DRNTU::Visual arts and music::Media
Ooi, Samantha Chen Na.
The story of us.
description The primary inspiration of the game is the visual style and history of Paleolithic cave paintings (Figure 1). These cave paintings represent one of the earliest known forms of human artistic expression, and attempts at recording and replicating the life around them. Although without a narrative structure, these cave paintings attempt to tell a story of their lives, as they knew it. They were the first attempts by humankind to graphically keep a visual record of their lives, and thus one of the first forms of artistic expression by humankind. Inspired by the graphic style of these original cave paintings, I wanted to introduce a narrative structure with the visual style. Rather than presenting an animated story however, I wanted to make a video game, as this was most appealing to my major of interest as well presenting more opportunity in using the art style in a medium it is not commonly seen. Hence, my project was to create a 2-dimensional video game, conveying the visuals that were my primary inspiration, as well as allowing interactivity for players of the story. The game contains the elements of an interactive narrative. The premise of the game was that it is a story retold, and an omniscient narrator narrates the player’s actions as well as being a way for in-game hints and instructions were communicated to the player when required. Furthermore, the player had the ability and opportunity to affect certain story elements during gameplay. These range from cosmetic or esoteric changes such as the narrator prompted to comment differently; to game-changing effects that may affect the level’s layout, the attributes of certain creatures and so on. In this way, players find the gameplay and narrative more organic as it responds to their individual actions. It makes each player’s play through unique to them, as well as adding replay value as they try to find different ways to overcome the levels. Thus, each player’s complete ‘story’ became different from another player. This was a way to personalize the playing experience to the player.
author2 Kenneth Feinstein
author_facet Kenneth Feinstein
Ooi, Samantha Chen Na.
format Final Year Project
author Ooi, Samantha Chen Na.
author_sort Ooi, Samantha Chen Na.
title The story of us.
title_short The story of us.
title_full The story of us.
title_fullStr The story of us.
title_full_unstemmed The story of us.
title_sort story of us.
publishDate 2013
url http://hdl.handle.net/10356/52366
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