After hours.
Sunyi, Pekak, Bisu is an experimental film with documentary and narrative elements. It interplays between a documentation of scenes around Singapore at night and narrative scenes with actors. We are interested in experimenting with the workflow of an unconventional narrative structure. The film uses...
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| Format: | Final Year Project |
| Language: | English |
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2013
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| Online Access: | http://hdl.handle.net/10356/52396 |
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| Institution: | Nanyang Technological University |
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sg-ntu-dr.10356-523962019-12-10T13:18:15Z After hours. Lau, Hong Hu Rosli, Marlisa Wan, Adzlynn Fizra Lucy Davis School of Art, Design and Media Marijke Van Kets DRNTU::Visual arts and music Sunyi, Pekak, Bisu is an experimental film with documentary and narrative elements. It interplays between a documentation of scenes around Singapore at night and narrative scenes with actors. We are interested in experimenting with the workflow of an unconventional narrative structure. The film uses real interview footage of night-shift workers weaved into our narrative scenes. The decision to feature night-shift workers and the nightscape was a choice made in order to explore a point of view that was less attended to. Shift-work in Singapore is often thought of as low-paying, less ideal and representative of those who live on the edge of the economy. In reality, there are high-paying jobs that also has shifts and also operate at night. Bachelor of Fine Arts 2013-05-07T03:15:05Z 2013-05-07T03:15:05Z 2013 2013 Final Year Project (FYP) http://hdl.handle.net/10356/52396 en Nanyang Technological University 71 p. application/pdf |
| institution |
Nanyang Technological University |
| building |
NTU Library |
| country |
Singapore |
| collection |
DR-NTU |
| language |
English |
| topic |
DRNTU::Visual arts and music |
| spellingShingle |
DRNTU::Visual arts and music Lau, Hong Hu Rosli, Marlisa Wan, Adzlynn Fizra After hours. |
| description |
Sunyi, Pekak, Bisu is an experimental film with documentary and narrative elements. It interplays between a documentation of scenes around Singapore at night and narrative scenes with actors. We are interested in experimenting with the workflow of an unconventional narrative structure. The film uses real interview footage of night-shift workers weaved into our narrative scenes. The decision to feature night-shift workers and the nightscape was a choice made in order to explore a point of view that was less attended to. Shift-work in Singapore is often thought of as low-paying, less ideal and representative of those who live on the edge of the economy. In reality, there are high-paying jobs that also has shifts and also operate at night. |
| author2 |
Lucy Davis |
| author_facet |
Lucy Davis Lau, Hong Hu Rosli, Marlisa Wan, Adzlynn Fizra |
| format |
Final Year Project |
| author |
Lau, Hong Hu Rosli, Marlisa Wan, Adzlynn Fizra |
| author_sort |
Lau, Hong Hu |
| title |
After hours. |
| title_short |
After hours. |
| title_full |
After hours. |
| title_fullStr |
After hours. |
| title_full_unstemmed |
After hours. |
| title_sort |
after hours. |
| publishDate |
2013 |
| url |
http://hdl.handle.net/10356/52396 |
| _version_ |
1681040706255192064 |