The white crisis : an analysis of the redemption of guilt in postcolonial Southern African literature.
A common underlying theme in postcolonial literature centres on manifestations of White colonial guilt and its effects on the coloniser vis a vis the colonised. In relating the common themes of JM Coetzee’s Disgrace, Waiting for the Barbarians and Doris Lessing’s The Grass Is Singing, we see that th...
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sg-ntu-dr.10356-549832019-12-10T13:46:42Z The white crisis : an analysis of the redemption of guilt in postcolonial Southern African literature. Leong, Lucas Wei Ben. Bede Tregear Scott School of Humanities and Social Sciences DRNTU::Humanities A common underlying theme in postcolonial literature centres on manifestations of White colonial guilt and its effects on the coloniser vis a vis the colonised. In relating the common themes of JM Coetzee’s Disgrace, Waiting for the Barbarians and Doris Lessing’s The Grass Is Singing, we see that the manifestations of guilt in these postcolonial novels is seen as a destabilising force, and the acceptance of which ultimately leads the protagonists to exclusion from their native societies. In essence, accepting and attempting to reconcile White colonial guilt is ultimately a futile exercise in attempting to lesson collective guilt in a social system so deeply entrenched in the postponement and denial of guilt due to deep-set issues such as superiority complexes. In understanding these manifestations of guilt, the theories of Sigmund Freud comes to the fore, as we attempt to affix psychoanalytical studies to the issues presented in the novels. Bachelor of Arts 2013-11-20T07:55:03Z 2013-11-20T07:55:03Z 2013 2013 Final Year Project (FYP) http://hdl.handle.net/10356/54983 en Nanyang Technological University 39 p. application/msword |
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DRNTU::Humanities Leong, Lucas Wei Ben. The white crisis : an analysis of the redemption of guilt in postcolonial Southern African literature. |
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A common underlying theme in postcolonial literature centres on manifestations of White colonial guilt and its effects on the coloniser vis a vis the colonised. In relating the common themes of JM Coetzee’s Disgrace, Waiting for the Barbarians and Doris Lessing’s The Grass Is Singing, we see that the manifestations of guilt in these postcolonial novels is seen as a destabilising force, and the acceptance of which ultimately leads the protagonists to exclusion from their native societies. In essence, accepting and attempting to reconcile White colonial guilt is ultimately a futile exercise in attempting to lesson collective guilt in a social system so deeply entrenched in the postponement and denial of guilt due to deep-set issues such as superiority complexes. In understanding these manifestations of guilt, the theories of Sigmund Freud comes to the fore, as we attempt to affix psychoanalytical studies to the issues presented in the novels. |
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Bede Tregear Scott |
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Bede Tregear Scott Leong, Lucas Wei Ben. |
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Final Year Project |
author |
Leong, Lucas Wei Ben. |
author_sort |
Leong, Lucas Wei Ben. |
title |
The white crisis : an analysis of the redemption of guilt in postcolonial Southern African literature. |
title_short |
The white crisis : an analysis of the redemption of guilt in postcolonial Southern African literature. |
title_full |
The white crisis : an analysis of the redemption of guilt in postcolonial Southern African literature. |
title_fullStr |
The white crisis : an analysis of the redemption of guilt in postcolonial Southern African literature. |
title_full_unstemmed |
The white crisis : an analysis of the redemption of guilt in postcolonial Southern African literature. |
title_sort |
white crisis : an analysis of the redemption of guilt in postcolonial southern african literature. |
publishDate |
2013 |
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http://hdl.handle.net/10356/54983 |
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