博弈、妥协与定位 ：以娄烨电影《颐和园》为例探讨身体政治 = Contest, compromise and counteract : an analysis of body politics from summer palace directed by Lou Ye

• Main Author: 梁小杨 Liang, Xiaoyang
• Other Authors: Kwan Sze Pui Uganda
• Format: Final Year Project
• Language: Chinese
• Published: 2014
• Subjects: DRNTU::Humanities
• Online Access: http://hdl.handle.net/10356/55578
• Institution: Nanyang Technological University

堪称当代中国大陆第一部爱情与政治的史诗电影——娄烨 2006 年的作品《颐和园》，作为当年唯一一部华语电影，入围第 59 届坎城影展正式竞赛单元。该片不仅“天安门事件”作为故事背景倍受瞩目，同时影片里有大量关于身体的展露场景也很值得关注。本论文将以“身体”为出发点，结合福柯的身体政治理论，从《颐和园》的剧情以及拍摄手法来论述权力与身体双向斗争的展现。同时，除了身体政治的二元对立，本论文也将利用《颐和园》发生的故事背景，试讨论权力与身体在拥有共同理念的前ᨀ下，是如何相互妥协以达到共同目标的。而在本论文最后的部分，将结合电影文本外的材料，也即是关于《颐和园》未经审查机关同意，擅自出席国际影展等事件，试探讨权力与主体性的定位。As the first romantic and political epic set in Contemporary China, Summer Palace which directed by Lou Ye in the year of 2006, was the only Chinese movie selected to complete for the 59th Cannes Film Festival in 2006. The movie caught attention as its background was about the Tiananmen Square Incident. Besides that, the disclosure of the body also drew most attention in the society.This thesis will focus on the discussion about Body Politics from Michel Foucault’s point of view, applying with film’s background and shooting skills. In addition, this thesis will also cover the discussion of how body politics achieves a same goal by reaching a compromise. Lastly, regarding the approval from Chinese censors, this thesis will further discuss about the positioning between Power and Subjectivity.