《从文化乡愁到生态乡愁 ：席慕容散文中的环保意识》= From cultural to ecological nostalgia : environmentalism in Xi Murong's proses

• Main Author: 黄歆颐 Wong, Xin Yi
• Other Authors: Kwan Sze Pui Uganda
• Format: Final Year Project
• Language: Chinese
• Published: 2014
• Subjects: DRNTU::Humanities::Literature::Chinese
• Online Access: http://hdl.handle.net/10356/55846
• Institution: Nanyang Technological University

学界过去对席慕蓉作品的研究，一直都侧重非常感性的议题，如情爱或乡愁等。然而，在她近十年来的散文中，出现了一种高度自觉对环境及生态的关注。事实上，席慕蓉早期与近十年来的作品中对于故乡内蒙古的乡愁，是有众多面向的。在近年的写作中，她的作品出现了一种超越“自我叙事”而发展至社会关怀，甚至是更广阔的环保意识，当中包括生态女性主义（Ecofeminism）与深生态学（Deep Ecology）等生态批评概念。本文将分析席慕蓉的两篇散文《玛丽亚∙索》与《自由的灵魂》，以此申论席慕蓉的“寻根”并不是一个保守的回溯性议题，而是一个与时代同步发展的关怀，而她亦从一个放逐的流浪者身份，蜕变成一位与时代并进的全球生态公民。The academic world has always paid attention to Murong Xi’s works, which have always been well-known for emotional themes such as love and nostalgia. However, she has also shown strong awareness for the ecological environment in her early works as well as those in the recent ten years. As a matter of fact, the nostalgia towards her hometown Inner Mongolia is multi-orientated. Her recent works has shown transcendence from self-narratives and developed into caring for the society, extending to a broader environment awareness that encompasses concepts from ecocritical theories such as Ecofeminism and Deep Ecology. This paper seeks to propose that “searching for one’s roots” or nostalgia is not only a conservative and retrospective theme, but also shows solicitude which keeps abreast with modern developments. Through the analysis of two of her proses, Maria Suo and The Free Soul, it will be shown how her identity has transformed from a wanderer in exile to a global eco-citizen who advances with time.