王家卫电影中“时间”和“人物”的比较 ：以《东邪西毒》和《一代宗师》为例 = A comparison between ashes of time and the grandmaster ：a study on Wong Kar-Wai's movies through the perspective of timing and characters
王家卫导演在90年代的香港崛起，他沿袭新浪潮导演的电影风格，走上了一条和香港大众电影不同的道路，成为了世界著名的导演。他的电影在21世纪经常被当作研究的对象，因为电影作为大众记忆的载体，必有其历史挖掘的价值。学者可以在电影里可以看到不同时代的大众和社会的关系。本文讨论“时间”和“人物”两个面向，以《东邪西毒》和《一代宗师》两部电影的比较，尝试探讨电影中，人物和时间的关系。Wong Kar-Wai gained his fame in the 1990s as a director of Hong Kong film. He was affected by the French New Wave...
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| Format: | Final Year Project |
| Language: | Chinese |
| Published: |
2014
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| Online Access: | http://hdl.handle.net/10356/58923 |
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| Institution: | Nanyang Technological University |
| Language: | Chinese |
| Summary: | 王家卫导演在90年代的香港崛起，他沿袭新浪潮导演的电影风格，走上了一条和香港大众电影不同的道路，成为了世界著名的导演。他的电影在21世纪经常被当作研究的对象，因为电影作为大众记忆的载体，必有其历史挖掘的价值。学者可以在电影里可以看到不同时代的大众和社会的关系。本文讨论“时间”和“人物”两个面向，以《东邪西毒》和《一代宗师》两部电影的比较，尝试探讨电影中，人物和时间的关系。Wong Kar-Wai gained his fame in the 1990s as a director of Hong Kong film. He was affected by the French New Wave movie style, leading him to produce films which are greatly different with the other popular Hong Kong movies. Movies carry public memories of that particular generation. Hence, there are always some valuable historical movie incidents that can be examined through the relationship of general public and society. It is notable that the classic films by Mr Wong Kar-Wai have regularly been reviewed by academic scholars in the 21st century, through different memorial and historical perspectives. This thesis compares the movie of “Ashes of Time” and “The Grand Master”. Comparisons within these two films are to highlight the movie characters and timing under the movie context of the director. |
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