Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists

A comparative analysis of Angela Carter's The Bloody Chamber against their original tales to highlight the issue on the silencing of women both in the society and within the text.

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Bibliographic Details
Main Author:	Cheng, Yihui
Other Authors:	School of Humanities and Social Sciences
Format:	Final Year Project
Language:	English
Published:	2014
Subjects:	DRNTU::Humanities
Online Access:	http://hdl.handle.net/10356/59303
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Institution:	Nanyang Technological University
Language:	English

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spelling	sg-ntu-dr.10356-593032019-12-10T14:11:31Z Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists Cheng, Yihui School of Humanities and Social Sciences Yong Wern-Mei DRNTU::Humanities A comparative analysis of Angela Carter's The Bloody Chamber against their original tales to highlight the issue on the silencing of women both in the society and within the text. Bachelor of Arts 2014-04-29T06:42:02Z 2014-04-29T06:42:02Z 2014 2014 Final Year Project (FYP) http://hdl.handle.net/10356/59303 en Nanyang Technological University 35 p. application/pdf
institution	Nanyang Technological University
building	NTU Library
country	Singapore
collection	DR-NTU
language	English
topic	DRNTU::Humanities
spellingShingle	DRNTU::Humanities Cheng, Yihui Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists
description	A comparative analysis of Angela Carter's The Bloody Chamber against their original tales to highlight the issue on the silencing of women both in the society and within the text.
author2	School of Humanities and Social Sciences
author_facet	School of Humanities and Social Sciences Cheng, Yihui
format	Final Year Project
author	Cheng, Yihui
author_sort	Cheng, Yihui
title	Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists
title_short	Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists
title_full	Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists
title_fullStr	Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists
title_full_unstemmed	Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists
title_sort	angela carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists
publishDate	2014
url	http://hdl.handle.net/10356/59303
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Angela Carter’s use of appropriation in the bloody chamber to return voices to the silenced and repressed female protagonists

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