A study of the ‘imagetexts’ of the Daoist visual culture, signifying the tripartite realms of Heaven, Human, Earth

This is a study of Imagetexts in Daoism visual culture, signifying the structure of the cosmos in a corresponding relationship with one other. By structure of the cosmos, I will be looking at the tripartite realms of existence, namely Heaven, Earth and Human as the three forces that are unified in t...

Full description

Saved in:
Bibliographic Details
Main Author: Han, Yuhui
Other Authors: Nanci Takeyama
Format: Final Year Project
Language:English
Published: 2014
Subjects:
Online Access:http://hdl.handle.net/10356/59884
Tags: Add Tag
No Tags, Be the first to tag this record!
Institution: Nanyang Technological University
Language: English
id sg-ntu-dr.10356-59884
record_format dspace
spelling sg-ntu-dr.10356-598842019-12-10T11:23:09Z A study of the ‘imagetexts’ of the Daoist visual culture, signifying the tripartite realms of Heaven, Human, Earth Han, Yuhui Nanci Takeyama School of Art, Design and Media DRNTU::Humanities DRNTU::Visual arts and music::Design This is a study of Imagetexts in Daoism visual culture, signifying the structure of the cosmos in a corresponding relationship with one other. By structure of the cosmos, I will be looking at the tripartite realms of existence, namely Heaven, Earth and Human as the three forces that are unified in the Dao. Text-oriented designs such as sacred charts, which have aniconic, and power-evoking symbolism will be used to analyze the correspondence of the universal forces—Heaven, Earth and Human. Through my findings, I will arrive at how these forces mirror each other and move in a microcosmic/macrocosmic orbit with Humans at the center, being the trigger to seek balance and harmony or cause disharmony and discord with the other realms. Bachelor of Fine Arts 2014-05-19T02:57:58Z 2014-05-19T02:57:58Z 2014 2014 Final Year Project (FYP) http://hdl.handle.net/10356/59884 en Nanyang Technological University 40 p. video/quicktime application/pdf application/pdf application/pdf
institution Nanyang Technological University
building NTU Library
country Singapore
collection DR-NTU
language English
topic DRNTU::Humanities
DRNTU::Visual arts and music::Design
spellingShingle DRNTU::Humanities
DRNTU::Visual arts and music::Design
Han, Yuhui
A study of the ‘imagetexts’ of the Daoist visual culture, signifying the tripartite realms of Heaven, Human, Earth
description This is a study of Imagetexts in Daoism visual culture, signifying the structure of the cosmos in a corresponding relationship with one other. By structure of the cosmos, I will be looking at the tripartite realms of existence, namely Heaven, Earth and Human as the three forces that are unified in the Dao. Text-oriented designs such as sacred charts, which have aniconic, and power-evoking symbolism will be used to analyze the correspondence of the universal forces—Heaven, Earth and Human. Through my findings, I will arrive at how these forces mirror each other and move in a microcosmic/macrocosmic orbit with Humans at the center, being the trigger to seek balance and harmony or cause disharmony and discord with the other realms.
author2 Nanci Takeyama
author_facet Nanci Takeyama
Han, Yuhui
format Final Year Project
author Han, Yuhui
author_sort Han, Yuhui
title A study of the ‘imagetexts’ of the Daoist visual culture, signifying the tripartite realms of Heaven, Human, Earth
title_short A study of the ‘imagetexts’ of the Daoist visual culture, signifying the tripartite realms of Heaven, Human, Earth
title_full A study of the ‘imagetexts’ of the Daoist visual culture, signifying the tripartite realms of Heaven, Human, Earth
title_fullStr A study of the ‘imagetexts’ of the Daoist visual culture, signifying the tripartite realms of Heaven, Human, Earth
title_full_unstemmed A study of the ‘imagetexts’ of the Daoist visual culture, signifying the tripartite realms of Heaven, Human, Earth
title_sort study of the ‘imagetexts’ of the daoist visual culture, signifying the tripartite realms of heaven, human, earth
publishDate 2014
url http://hdl.handle.net/10356/59884
_version_ 1681044525567442944