黎紫书 ：双重边缘身份的书写 ：以《野菩萨》为中心的讨论 = Lizishu : the writing of dual margin : the study of Ye Pu Sa (Wild Bodhisattva)

• Main Author: 陈祎婷 Ting, Camelia Yi Teen
• Other Authors: Zhang Songjian
• Format: Final Year Project
• Language: Chinese
• Published: 2015
• Subjects: DRNTU::Humanities::Literature::Chinese
• Online Access: http://hdl.handle.net/10356/62237
• Institution: Nanyang Technological University

马华小说创作多年以来以男性作家居多，在国内外声名显赫的李永平、温瑞安、黄锦树等男性作家创作的小说都是许多评论者的关注焦点，形成少数的女性作家的书写位置于是乎归向边缘。因此，商晚筠、钟怡雯和黎紫书等女性作家的创作更加难能可贵。尤其在花综文学奖崭露头角，凭着精深的写作能力以及独树一帜的创作风格扬名中国、台湾等华人文学圈的黎紫书更是成了马华文学界中的异数。除了背负女性这个边缘身份，在马来西亚土生土长的黎紫书和同代马华作家无异，担起书写马来西亚华人历史和文化的使命。本文以黎紫书的《野菩萨》短篇小说集为中心讨论，通过分析小说人物的形象与际遇、黎紫书呈现马华历史的叙事方法，解读黎紫书如何审视女性和马华的双重边缘身份。Since the creation of Chinese Literature in Malaysia, majority of the authors involved were male. They were of great eminence and the focus of many commentators. This phenomenon had marginalized the positions of the minority female authors. Hence, the novel creations of female authors, for instance, Shangwanjun, Chong Yee-Voon and Lizishu become even precious and valuable, especially Lizishu, whose fame resounded China and Taiwan’s literary circles for her profound writing ability and highly unique style, had made a good figure in HuaZong Literary Award. Likewise the contemporary Malaysian Chinese authors, Lizishu took the duty of writing the history and culture of the Malaysian Chinese. This article focally discusses Lizishu’s novel collection YePuSa by analysing the characteristics and fortune of novel characters, and how she presented the history of the Malaysian Chinese. It also unscrambles Lizishu’s views on the dual marginal identities of both the females and the Malaysian Chinese.