You are what you eat : oral aggression and agency in Lewis Carroll’s Alice in wonderland and Catherynne Valente’s the girl who circumnavigated fairyland in a ship of her own making

Fantasy and myth protagonists have a complicated, often detrimental relationship with the food in their respective worlds, the female characters more so than the males. This paper to examine two texts that destabilise this damaging–Lewis Carroll’s Alice’s Adventures in Wonderland and Catherynne M. V...

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Main Author: Anthony, Tanya
Other Authors: Shirley Chew
Format: Final Year Project
Language:English
Published: 2015
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Online Access:http://hdl.handle.net/10356/62752
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Institution: Nanyang Technological University
Language: English
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spelling sg-ntu-dr.10356-627522019-12-10T11:38:27Z You are what you eat : oral aggression and agency in Lewis Carroll’s Alice in wonderland and Catherynne Valente’s the girl who circumnavigated fairyland in a ship of her own making Anthony, Tanya Shirley Chew School of Humanities and Social Sciences DRNTU::Humanities::Literature::English Fantasy and myth protagonists have a complicated, often detrimental relationship with the food in their respective worlds, the female characters more so than the males. This paper to examine two texts that destabilise this damaging–Lewis Carroll’s Alice’s Adventures in Wonderland and Catherynne M. Valente’s The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, both of which lend varying levels of autonomy to its female protagonists, enabling them to exert control over their environments and themselves through food. Furthermore, in line with Nancy Armstrong’s observation that Alice in Wonderland “links the problem of appetite with another form of oral aggression” (18), namely speech, I will pursue a secondary line of investigation into the ways in which speech similarly reveals how each protagonist negotiates their autonomy and identity. I will also address how the platform of the fantasy genre functions in both texts as an allegory for growth and self-discovery, paying special attention to how situating Alice within the historical context of her Victorian background determines the extent of her development. Finally, using Bakhtinian and Freudian theory I aim to delineate the psychological implications of each portal fantasy adventure, namely the significant role the carnivalesque element plays in each magical realm, and how each world reflects the fragmented self, respectively. Bachelor of Arts 2015-04-28T07:54:55Z 2015-04-28T07:54:55Z 2015 2015 Final Year Project (FYP) http://hdl.handle.net/10356/62752 en Nanyang Technological University 32 p. application/msword
institution Nanyang Technological University
building NTU Library
country Singapore
collection DR-NTU
language English
topic DRNTU::Humanities::Literature::English
spellingShingle DRNTU::Humanities::Literature::English
Anthony, Tanya
You are what you eat : oral aggression and agency in Lewis Carroll’s Alice in wonderland and Catherynne Valente’s the girl who circumnavigated fairyland in a ship of her own making
description Fantasy and myth protagonists have a complicated, often detrimental relationship with the food in their respective worlds, the female characters more so than the males. This paper to examine two texts that destabilise this damaging–Lewis Carroll’s Alice’s Adventures in Wonderland and Catherynne M. Valente’s The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, both of which lend varying levels of autonomy to its female protagonists, enabling them to exert control over their environments and themselves through food. Furthermore, in line with Nancy Armstrong’s observation that Alice in Wonderland “links the problem of appetite with another form of oral aggression” (18), namely speech, I will pursue a secondary line of investigation into the ways in which speech similarly reveals how each protagonist negotiates their autonomy and identity. I will also address how the platform of the fantasy genre functions in both texts as an allegory for growth and self-discovery, paying special attention to how situating Alice within the historical context of her Victorian background determines the extent of her development. Finally, using Bakhtinian and Freudian theory I aim to delineate the psychological implications of each portal fantasy adventure, namely the significant role the carnivalesque element plays in each magical realm, and how each world reflects the fragmented self, respectively.
author2 Shirley Chew
author_facet Shirley Chew
Anthony, Tanya
format Final Year Project
author Anthony, Tanya
author_sort Anthony, Tanya
title You are what you eat : oral aggression and agency in Lewis Carroll’s Alice in wonderland and Catherynne Valente’s the girl who circumnavigated fairyland in a ship of her own making
title_short You are what you eat : oral aggression and agency in Lewis Carroll’s Alice in wonderland and Catherynne Valente’s the girl who circumnavigated fairyland in a ship of her own making
title_full You are what you eat : oral aggression and agency in Lewis Carroll’s Alice in wonderland and Catherynne Valente’s the girl who circumnavigated fairyland in a ship of her own making
title_fullStr You are what you eat : oral aggression and agency in Lewis Carroll’s Alice in wonderland and Catherynne Valente’s the girl who circumnavigated fairyland in a ship of her own making
title_full_unstemmed You are what you eat : oral aggression and agency in Lewis Carroll’s Alice in wonderland and Catherynne Valente’s the girl who circumnavigated fairyland in a ship of her own making
title_sort you are what you eat : oral aggression and agency in lewis carroll’s alice in wonderland and catherynne valente’s the girl who circumnavigated fairyland in a ship of her own making
publishDate 2015
url http://hdl.handle.net/10356/62752
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