Beyond the body : shock aesthetics and corporeal horror in Martyrs
This paper will examine the threads of shock aesthetics and corporeal horror in Martyrs, focusing on how Laugier's narrative methodologies and filmic techniques serve to alter the relationship between the diegetic space of the film and the material one of the viewer. The modulation of perspecti...
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sg-ntu-dr.10356-627712019-12-10T13:21:43Z Beyond the body : shock aesthetics and corporeal horror in Martyrs Tan, Marcus Yi Hern Cornelius Anthony Murphy School of Humanities and Social Sciences DRNTU::Humanities::Linguistics This paper will examine the threads of shock aesthetics and corporeal horror in Martyrs, focusing on how Laugier's narrative methodologies and filmic techniques serve to alter the relationship between the diegetic space of the film and the material one of the viewer. The modulation of perspective in Martyrs hinges on a subversion of the viewer's expected experience of the world around them, both in terms of how it is presented to them physically, and in terms of how it evokes an emotional response in them. Laugier's Martyrs is both repulsive and riveting, both horrific of the body and of the mind. What ultimately emerges from this expression of brutality is an existential melancholy that is inherently pessimistic, yet captivatingly energetic in its offering of a novel lens through which the world can be experienced across its broadest spectrum. Bachelor of Arts 2015-04-29T01:25:36Z 2015-04-29T01:25:36Z 2015 2015 Final Year Project (FYP) http://hdl.handle.net/10356/62771 en Nanyang Technological University 30 p. application/pdf |
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DRNTU::Humanities::Linguistics Tan, Marcus Yi Hern Beyond the body : shock aesthetics and corporeal horror in Martyrs |
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This paper will examine the threads of shock aesthetics and corporeal horror in Martyrs, focusing on how Laugier's narrative methodologies and filmic techniques serve to alter the relationship between the diegetic space of the film and the material one of the viewer. The modulation of perspective in Martyrs hinges on a subversion of the viewer's expected experience of the world around them, both in terms of how it is presented to them physically, and in terms of how it evokes an emotional response in them. Laugier's Martyrs is both repulsive and riveting, both horrific of the body and of the mind. What ultimately emerges from this expression of brutality is an existential melancholy that is inherently pessimistic, yet captivatingly energetic in its offering of a novel lens through which the world can be experienced across its broadest spectrum. |
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Cornelius Anthony Murphy |
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Cornelius Anthony Murphy Tan, Marcus Yi Hern |
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Final Year Project |
author |
Tan, Marcus Yi Hern |
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Tan, Marcus Yi Hern |
title |
Beyond the body : shock aesthetics and corporeal horror in Martyrs |
title_short |
Beyond the body : shock aesthetics and corporeal horror in Martyrs |
title_full |
Beyond the body : shock aesthetics and corporeal horror in Martyrs |
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Beyond the body : shock aesthetics and corporeal horror in Martyrs |
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Beyond the body : shock aesthetics and corporeal horror in Martyrs |
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beyond the body : shock aesthetics and corporeal horror in martyrs |
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2015 |
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http://hdl.handle.net/10356/62771 |
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1681047190233939968 |