Masquerade and male desire in Eliza Haywood's fantomina and Gillian Flynn's gone girl
In this essay, I will be examining Eliza Haywood’s Fantomina (1725) and Gillian Flynn’s Gone Girl (2012), despite their vast difference in era, to discuss how female agency and female empowerment are achieved through masquerade. Both female characters are elite members of society and it is mandatory...
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| Format: | Final Year Project |
| Language: | English |
| Published: |
2015
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| Online Access: | http://hdl.handle.net/10356/63115 |
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| Institution: | Nanyang Technological University |
| Language: | English |
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