Musical note identification using FRM filter

Music understanding is a process closely related to the knowledge and experience of the listener. The amount of knowledge required is relative to the complexity of the task in hand. This project is concerned with the problem of automatically decomposing musical signals into a score-like...

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Main Author: Pang, Ying Chiu
Other Authors: Foo Say Wei
Format: Final Year Project
Language:English
Published: 2015
Subjects:
Online Access:http://hdl.handle.net/10356/65389
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Institution: Nanyang Technological University
Language: English
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spelling sg-ntu-dr.10356-653892023-07-07T15:47:50Z Musical note identification using FRM filter Pang, Ying Chiu Foo Say Wei School of Electrical and Electronic Engineering DRNTU::Engineering Music understanding is a process closely related to the knowledge and experience of the listener. The amount of knowledge required is relative to the complexity of the task in hand. This project is concerned with the problem of automatically decomposing musical signals into a score-like representation. It proposes that, as with humans, an automatic system requires knowledge about the signal and its expected behavior to correctly analyze music. The proposed system uses the blackboard architecture to combine the use of knowledge with data provided by the bottom-up processing of the signal's information. Methods are proposed for the estimation of pitches, onset times and duration of notes in simple polyphonic music. A method for onset detection is presented. It provides an alternative to conventional energy-based algorithms by using phase information. Statistical analysis is used to create a detection function that evaluates the expected behavior of the signal regarding onsets. Two methods for multi-pitch estimation are introduced. The first concentrates on the grouping of harmonic information in the frequency-domain. Its performance and limitations emphasize the case for the use of high-level knowledge. This knowledge, in the form of the individual waveform of a single instrument, is used in the second proposed approach. The method is based on a time-domain linear additive model and it presents an alternative to common frequency-domain approaches.Results are presented and discussed for all methods, showing that, if reliably generated, the use of knowledge can significantly improve the quality of the analysis. Bachelor of Engineering 2015-09-07T06:20:18Z 2015-09-07T06:20:18Z 2005 2005 Final Year Project (FYP) http://hdl.handle.net/10356/65389 en Nanyang Technological University 133 p. application/pdf
institution Nanyang Technological University
building NTU Library
continent Asia
country Singapore
Singapore
content_provider NTU Library
collection DR-NTU
language English
topic DRNTU::Engineering
spellingShingle DRNTU::Engineering
Pang, Ying Chiu
Musical note identification using FRM filter
description Music understanding is a process closely related to the knowledge and experience of the listener. The amount of knowledge required is relative to the complexity of the task in hand. This project is concerned with the problem of automatically decomposing musical signals into a score-like representation. It proposes that, as with humans, an automatic system requires knowledge about the signal and its expected behavior to correctly analyze music. The proposed system uses the blackboard architecture to combine the use of knowledge with data provided by the bottom-up processing of the signal's information. Methods are proposed for the estimation of pitches, onset times and duration of notes in simple polyphonic music. A method for onset detection is presented. It provides an alternative to conventional energy-based algorithms by using phase information. Statistical analysis is used to create a detection function that evaluates the expected behavior of the signal regarding onsets. Two methods for multi-pitch estimation are introduced. The first concentrates on the grouping of harmonic information in the frequency-domain. Its performance and limitations emphasize the case for the use of high-level knowledge. This knowledge, in the form of the individual waveform of a single instrument, is used in the second proposed approach. The method is based on a time-domain linear additive model and it presents an alternative to common frequency-domain approaches.Results are presented and discussed for all methods, showing that, if reliably generated, the use of knowledge can significantly improve the quality of the analysis.
author2 Foo Say Wei
author_facet Foo Say Wei
Pang, Ying Chiu
format Final Year Project
author Pang, Ying Chiu
author_sort Pang, Ying Chiu
title Musical note identification using FRM filter
title_short Musical note identification using FRM filter
title_full Musical note identification using FRM filter
title_fullStr Musical note identification using FRM filter
title_full_unstemmed Musical note identification using FRM filter
title_sort musical note identification using frm filter
publishDate 2015
url http://hdl.handle.net/10356/65389
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