底层的小官 :《龙阳逸史》中的男色书写 = Boys underclass : male homoerotic writing of Longyang yishi

本文以《龙阳逸史》的男色书写为主,首先通过文本中对男风社会的书写,分析作者如何建构这几乎可以“认定”所有人都好男色,并将男色作为一种难以抗拒、更胜女色的世界。接着分析文中的情欲描写,揭示其阶级之间不可跨越的权力关系。最后探讨在此男风社会下的男色形象所呈现的女性化倾向,而大老官作为男色的主要接收者,其所追寻的男色形象又是否和小官的形象一致,并解析《龙阳逸史》中的男色鉴赏倾向,由此全面的分析《龙阳逸史》中的男色书写方式与特点。作为晚明男色书写的重要文本,《龙阳逸史》所体现的是晚明社会小官阶层的世态炎凉,无情一面。通过对文本的细读与分析,本文将从男色书写的角度探讨《龙阳逸史》是如何体现晚明社会中的男...

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Bibliographic Details
Main Author: 杨慧莉 Yeo, Hui Li
Other Authors: Heah Lee Hah, Carmel
Format: Final Year Project
Language:Chinese
Published: 2016
Subjects:
Online Access:http://hdl.handle.net/10356/66123
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Institution: Nanyang Technological University
Language: Chinese
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Summary:本文以《龙阳逸史》的男色书写为主,首先通过文本中对男风社会的书写,分析作者如何建构这几乎可以“认定”所有人都好男色,并将男色作为一种难以抗拒、更胜女色的世界。接着分析文中的情欲描写,揭示其阶级之间不可跨越的权力关系。最后探讨在此男风社会下的男色形象所呈现的女性化倾向,而大老官作为男色的主要接收者,其所追寻的男色形象又是否和小官的形象一致,并解析《龙阳逸史》中的男色鉴赏倾向,由此全面的分析《龙阳逸史》中的男色书写方式与特点。作为晚明男色书写的重要文本,《龙阳逸史》所体现的是晚明社会小官阶层的世态炎凉,无情一面。通过对文本的细读与分析,本文将从男色书写的角度探讨《龙阳逸史》是如何体现晚明社会中的男风、男色现象。In this paper, I analyse the male homoerotic writing style in Longyang yishi through three main perspectives: first is to look at how Longyang yishi construct male beauty as irresistible to all man and even to surpass woman's beauty in the stories; secondly through the erotic description of the stories to uncover the relationship of social class and status between the penetrant and penetrated men; last but not least, to probe the male beauty portrayed in the stories to provide a better understanding in the male homoerotic fashion during the late Ming dynasty and how the novel represent it in its stories. Thus, create a comprehensive analysis of the Longyang yishi's male homoerotic writing style and phenomenon of the male beauty during the late Ming dynasty. As an important work regarding male homoerotic writing during the late Ming dynasty, Longyang yishi embodies the inconstancy and ruthless side of the boy prostitutes during the late Ming sociality. Through close reading and analysis of the novel, this paper will discuss how Longyang yishi reflect male love and phenomenon of the male beauty during the late Ming dynasty.