Han a short film : the emotional impact of production design
Seamless production design allows viewers to be fully invested in the characters and narrative, and that was exactly what I hoped to achieve for Han (2016) and create an authentic and thoughtful backdrop for the dramatic narrative. Production preparations were made to shoot 80% of the film in Sou...
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sg-ntu-dr.10356-669852020-07-16T07:38:36Z Han a short film : the emotional impact of production design Liew, Julie Heather Shan Ting Ben Alvin Shedd School of Art, Design and Media DRNTU::Humanities Seamless production design allows viewers to be fully invested in the characters and narrative, and that was exactly what I hoped to achieve for Han (2016) and create an authentic and thoughtful backdrop for the dramatic narrative. Production preparations were made to shoot 80% of the film in South Korea, and the remaining 20% to be shot in Singapore required the planning and construction of a prison visitation room set. Despite the obvious challenges, there was great thought and detail put into building the world of Han (2016), and I discuss those processes, decisions and experiences in this essay. Bachelor of Fine Arts 2016-05-09T03:54:01Z 2016-05-09T03:54:01Z 2016 Final Year Project (FYP) http://hdl.handle.net/10356/66985 Videos-DRNTU/adm_fyp_17/Han.mp4 en Nanyang Technological University 21 p. application/pdf text/html |
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Nanyang Technological University |
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NTU Library |
| country |
Singapore |
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DR-NTU |
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English |
| topic |
DRNTU::Humanities |
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DRNTU::Humanities Liew, Julie Heather Shan Ting Han a short film : the emotional impact of production design |
| description |
Seamless production design allows viewers to be fully invested in the characters and narrative, and that was exactly what I hoped to achieve for Han (2016) and create an authentic and thoughtful backdrop for the dramatic narrative.
Production preparations were made to shoot 80% of the film in South Korea, and the remaining 20% to be shot in Singapore required the planning and construction of a prison visitation room set. Despite the obvious challenges, there was great thought and detail put into building the world of Han (2016), and I discuss those processes, decisions and experiences in this essay. |
| author2 |
Ben Alvin Shedd |
| author_facet |
Ben Alvin Shedd Liew, Julie Heather Shan Ting |
| format |
Final Year Project |
| author |
Liew, Julie Heather Shan Ting |
| author_sort |
Liew, Julie Heather Shan Ting |
| title |
Han a short film : the emotional impact of production design |
| title_short |
Han a short film : the emotional impact of production design |
| title_full |
Han a short film : the emotional impact of production design |
| title_fullStr |
Han a short film : the emotional impact of production design |
| title_full_unstemmed |
Han a short film : the emotional impact of production design |
| title_sort |
han a short film : the emotional impact of production design |
| publishDate |
2016 |
| url |
http://hdl.handle.net/10356/66985 |
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1681057807715008512 |