Film as a medium of reconciliation
Those Days Are Gone is a film that grew out of the intent to document the ‘lost generation’ that was created by the abolishment of the parochial Chinese education system in Singapore. There were many reasons why the government made certain decisions many years ago that led to the closure of Chinese...
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2016
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sg-ntu-dr.10356-671712020-07-16T08:18:35Z Film as a medium of reconciliation Goh, Ashleigh Hua Wong Chen Hsi School of Art, Design and Media DRNTU::Humanities Those Days Are Gone is a film that grew out of the intent to document the ‘lost generation’ that was created by the abolishment of the parochial Chinese education system in Singapore. There were many reasons why the government made certain decisions many years ago that led to the closure of Chinese schools, but this film is not specifically about these historical events. The documentary instead chooses to focus on the people that were affected by this and their journey past this time. In my opinion, the film is a journey of personal reconciliation with the past, for both Jing Xiang and his subjects. The idea that film could be a medium that facilitates something as powerful as reconciliation is extremely intriguing to me, and I started exploring in detail how other films have attempted or achieved the same thing, as research for my role of editor. This report will show how film as a medium can have a part to play in the act of political reconciliation. Bachelor of Fine Arts 2016-05-12T06:53:08Z 2016-05-12T06:53:08Z 2016 Final Year Project (FYP) http://hdl.handle.net/10356/67171 Videos-DRNTU/adm_fyp_17/Those Days are Gone.mp4 en Nanyang Technological University 21 p. application/pdf text/html |
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DRNTU::Humanities Goh, Ashleigh Hua Film as a medium of reconciliation |
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Those Days Are Gone is a film that grew out of the intent to document the ‘lost generation’ that was created by the abolishment of the parochial Chinese education system in Singapore. There were many reasons why the government made certain decisions many years ago that led to the closure of Chinese schools, but this film is not specifically about these historical events. The documentary instead chooses to focus on the people that were affected by this and their journey past this time. In my opinion, the film is a journey of personal reconciliation with the past, for both Jing Xiang and his subjects. The idea that film could be a medium that facilitates something as powerful as reconciliation is extremely intriguing to me, and I started exploring in detail how other films have attempted or achieved the same thing, as research for my role of editor. This report will show how film as a medium can have a part to play in the act of political reconciliation. |
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Wong Chen Hsi |
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Wong Chen Hsi Goh, Ashleigh Hua |
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Final Year Project |
author |
Goh, Ashleigh Hua |
author_sort |
Goh, Ashleigh Hua |
title |
Film as a medium of reconciliation |
title_short |
Film as a medium of reconciliation |
title_full |
Film as a medium of reconciliation |
title_fullStr |
Film as a medium of reconciliation |
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Film as a medium of reconciliation |
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film as a medium of reconciliation |
publishDate |
2016 |
url |
http://hdl.handle.net/10356/67171 |
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1681056082531713024 |