新华诗歌中文化忧患意识研究 = The cultural anxiety in Singapore Chinese poems (1965-1985)
Modern Singapore, originating under British colonial rule, struggled its way in an independent country. Great transformations occurred in the first two decades of the fledgling republic, and the different ethnic groups (Chinese, Malay, Indian and others) have merged into a new nation with a common i...
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sg-ntu-dr.10356-67452020-09-26T21:23:04Z 新华诗歌中文化忧患意识研究 = The cultural anxiety in Singapore Chinese poems (1965-1985) 杜琳 Du, Lin Chia, Shih Yar Centre for Chinese Language and Culture DRNTU::Humanities::Literature::Chinese Modern Singapore, originating under British colonial rule, struggled its way in an independent country. Great transformations occurred in the first two decades of the fledgling republic, and the different ethnic groups (Chinese, Malay, Indian and others) have merged into a new nation with a common identity. However, as far as the Chinese are concerned, their once overlapped political and cultural orientation towards China has to undergo profound changes. It is generally accepted that the Singapore Chinese vernacular literature owed its existence to the literary revolution of 1917 in China. From that period on, a pragmatic concept has prevailed, that is, the sense of social responsibilities. This appeal considers literature as a vehicle to fulfill the propaganda of ideas and it should keep a plain, easy-to-understand style. This view, together with an expressive one, have exerted great influence on the poems later on. Master of Arts 2008-09-17T13:52:00Z 2008-09-17T13:52:00Z 1999 1999 Thesis http://hdl.handle.net/10356/6745 zh Nanyang Technological University 246 p. application/pdf |
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DRNTU::Humanities::Literature::Chinese 杜琳 Du, Lin 新华诗歌中文化忧患意识研究 = The cultural anxiety in Singapore Chinese poems (1965-1985) |
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Modern Singapore, originating under British colonial rule, struggled its way in an independent country. Great transformations occurred in the first two decades of the fledgling republic, and the different ethnic groups (Chinese, Malay, Indian and others) have merged into a new nation with a common identity. However, as far as the Chinese are concerned, their once overlapped political and cultural orientation towards China has to undergo profound changes. It is generally accepted that the Singapore Chinese vernacular literature owed its existence to the literary revolution of 1917 in China. From that period on, a pragmatic concept has prevailed, that is, the sense of social responsibilities. This appeal considers literature as a vehicle to fulfill the propaganda of ideas and it should keep a plain, easy-to-understand style. This view, together with an expressive one, have exerted great influence on the poems later on. |
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Chia, Shih Yar |
author_facet |
Chia, Shih Yar 杜琳 Du, Lin |
format |
Theses and Dissertations |
author |
杜琳 Du, Lin |
author_sort |
杜琳 Du, Lin |
title |
新华诗歌中文化忧患意识研究 = The cultural anxiety in Singapore Chinese poems (1965-1985) |
title_short |
新华诗歌中文化忧患意识研究 = The cultural anxiety in Singapore Chinese poems (1965-1985) |
title_full |
新华诗歌中文化忧患意识研究 = The cultural anxiety in Singapore Chinese poems (1965-1985) |
title_fullStr |
新华诗歌中文化忧患意识研究 = The cultural anxiety in Singapore Chinese poems (1965-1985) |
title_full_unstemmed |
新华诗歌中文化忧患意识研究 = The cultural anxiety in Singapore Chinese poems (1965-1985) |
title_sort |
新华诗歌中文化忧患意识研究 = the cultural anxiety in singapore chinese poems (1965-1985) |
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2008 |
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http://hdl.handle.net/10356/6745 |
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1681057194256105472 |