Never left
This report details the key influences and processes behind the post-production supervision of final year thesis film, a narrative drama titled 'Never Left'. ‘Never Left’ is a short film project about a son, Mark, having recently returned to Singapore after living abroad, stepping into the...
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2016
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sg-ntu-dr.10356-687262020-07-20T09:08:34Z Never left Sim, Cassandra Hui Zhen Ross Adrian Williams School of Art, Design and Media DRNTU::Visual arts and music This report details the key influences and processes behind the post-production supervision of final year thesis film, a narrative drama titled 'Never Left'. ‘Never Left’ is a short film project about a son, Mark, having recently returned to Singapore after living abroad, stepping into the role as his dementia-ridden father’s caretaker after his mother’s death. He struggles to reconcile issues within his own marriage with repairing his estranged relationship with his father, while the father, Ah Hock, has to come to terms with losing his wife given the circumstance of his illness. The film deals with themes of mental illness, filial piety, and family dynamics in a Singaporean context. Bachelor of Fine Arts 2016-05-31T03:58:50Z 2016-05-31T03:58:50Z 2016 Final Year Project (FYP) http://hdl.handle.net/10356/68726 Videos-DRNTU/adm_fyp_17/Never Left.mp4 en Nanyang Technological University 9 p. application/pdf text/html |
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DRNTU::Visual arts and music Sim, Cassandra Hui Zhen Never left |
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This report details the key influences and processes behind the post-production supervision of final year thesis film, a narrative drama titled 'Never Left'. ‘Never Left’ is a short film project about a son, Mark, having recently returned to Singapore after living abroad, stepping into the role as his dementia-ridden father’s caretaker after his mother’s death. He struggles to reconcile issues within his own marriage with repairing his estranged relationship with his father, while the father, Ah Hock, has to come to terms with losing his wife given the circumstance of his illness. The film deals with themes of mental illness, filial piety, and family dynamics in a Singaporean context. |
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Ross Adrian Williams |
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Ross Adrian Williams Sim, Cassandra Hui Zhen |
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Final Year Project |
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Sim, Cassandra Hui Zhen |
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Sim, Cassandra Hui Zhen |
title |
Never left |
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Never left |
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Never left |
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Never left |
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Never left |
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never left |
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2016 |
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http://hdl.handle.net/10356/68726 |
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1681056100460265472 |