The anti-epistemological impulses within O'Brien, Borges, and Gray's metafictional narratives
This thesis examines the various metafictional narrative devices in Flann O’Brien’s The Third Policeman, Jorge Luis Borges’ “Pierre Menard, Author of the Quixote” and “The Library of Babel,” and Alasdair Gray’s Lanark. Through a close examination of the texts’ self-conscious references towards their...
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2017
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sg-ntu-dr.10356-694592022-03-13T23:34:41Z The anti-epistemological impulses within O'Brien, Borges, and Gray's metafictional narratives Balete, Candice Lauren Garcia Neil Murphy School of Humanities and Social Sciences CAMurphy@ntu.edu.sg DRNTU::Humanities This thesis examines the various metafictional narrative devices in Flann O’Brien’s The Third Policeman, Jorge Luis Borges’ “Pierre Menard, Author of the Quixote” and “The Library of Babel,” and Alasdair Gray’s Lanark. Through a close examination of the texts’ self-conscious references towards their own fictionality—at the sentence level and also at a broader, metaleptic level—I argue that these fictions have the capacity to anti-epistemologically gesture towards the futility of comprehensively attaining and archiving knowledge in its totality, revealing the hubris potentially inherent within such endeavours. Rather than bemoan their inability to comprehensively articulate any body of knowledge or discourse, these metafictions revel in their acknowledgement of their limitations as textual constructs—even if man cannot fully comprehend the infinite, fiction can at least function as a frame through which one could glimpse at its horizons. Master of Arts 2017-01-19T07:22:30Z 2017-01-19T07:22:30Z 2017 Thesis http://hdl.handle.net/10356/69459 en 126 p. application/pdf Nanyang Technological University |
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DRNTU::Humanities Balete, Candice Lauren Garcia The anti-epistemological impulses within O'Brien, Borges, and Gray's metafictional narratives |
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This thesis examines the various metafictional narrative devices in Flann O’Brien’s The Third Policeman, Jorge Luis Borges’ “Pierre Menard, Author of the Quixote” and “The Library of Babel,” and Alasdair Gray’s Lanark. Through a close examination of the texts’ self-conscious references towards their own fictionality—at the sentence level and also at a broader, metaleptic level—I argue that these fictions have the capacity to anti-epistemologically gesture towards the futility of comprehensively attaining and archiving knowledge in its totality, revealing the hubris potentially inherent within such endeavours. Rather than bemoan their inability to comprehensively articulate any body of knowledge or discourse, these metafictions revel in their acknowledgement of their limitations as textual constructs—even if man cannot fully comprehend the infinite, fiction can at least function as a frame through which one could glimpse at its horizons. |
author2 |
Neil Murphy |
author_facet |
Neil Murphy Balete, Candice Lauren Garcia |
format |
Theses and Dissertations |
author |
Balete, Candice Lauren Garcia |
author_sort |
Balete, Candice Lauren Garcia |
title |
The anti-epistemological impulses within O'Brien, Borges, and Gray's metafictional narratives |
title_short |
The anti-epistemological impulses within O'Brien, Borges, and Gray's metafictional narratives |
title_full |
The anti-epistemological impulses within O'Brien, Borges, and Gray's metafictional narratives |
title_fullStr |
The anti-epistemological impulses within O'Brien, Borges, and Gray's metafictional narratives |
title_full_unstemmed |
The anti-epistemological impulses within O'Brien, Borges, and Gray's metafictional narratives |
title_sort |
anti-epistemological impulses within o'brien, borges, and gray's metafictional narratives |
publisher |
Nanyang Technological University |
publishDate |
2017 |
url |
http://hdl.handle.net/10356/69459 |
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1728433431948296192 |