论华语电影，抑或马来电影？： 以《马来风月》为例为例探讨新加坡1950年代的新加坡电影发展 = Chinese film, or Malay film? “Sri Menanti” as a case study of 1950’s Singapore film scene

• Main Author: 杨传志 Yang, Chuanzhi
• Other Authors: Hee Wai Siam
• Format: Final Year Project
• Language: Chinese
• Published: 2017
• Subjects: DRNTU::Humanities
• Online Access: http://hdl.handle.net/10356/69692
• Institution: Nanyang Technological University

本文主要对电影《马来风月》（以下简称“马”）相关的资料进行归纳与研究，研究电影的华语属性。电影在1958年上映，华裔导演易水在1959年发表了著作《马来亚化华语电影问题》。以易水对马来亚华语电影的定义来看，《马》也绝对不是纯正的马化华语电影。《马》到底是什么类型的电影？在新加坡华语电影话语中又应该如何定位？此论文通过《马》为切入点，试图探讨1950年代的新加坡电影发展。This paper summarizes the research information regarding a 1958 film “Moon over Malaya” (Malay name: Sri Menanti). In 1959, Yi Shui’s essays were compiled into a collection titled On Issues of the Malaynization of Chinese-Language film. According to his definition, ‘Sri Menanti’ is unlikely a Malaynization film。So what exactly is the nature of the film? How should we discuss it under the Chinese-Language film discourse? This article will discuss on the nature of the film and the development of Singapore Film Scenes.