Pachai, Manjal, Karuppu Thamizhan/ Green, Yellow, Black Tamil : a study of the effects of colorism in postcolonial India, as represented by Tamil cinema

This essay will begin by exploring the trauma of a postcolonial Tamilnadu and how it affects its treatment of fair skinned women in Tamil cinema. The essay will then progress to argue that the casting of fair-skinned heroines in mainstream Tamil cinema enables postcolonial India to re-examine its re...

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Main Author: Arivazhagan, Aiswarya Devi
Other Authors: Divya Victor
Format: Final Year Project
Language:English
Published: 2017
Subjects:
Online Access:http://hdl.handle.net/10356/70255
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Institution: Nanyang Technological University
Language: English
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spelling sg-ntu-dr.10356-702552019-12-10T14:46:19Z Pachai, Manjal, Karuppu Thamizhan/ Green, Yellow, Black Tamil : a study of the effects of colorism in postcolonial India, as represented by Tamil cinema Arivazhagan, Aiswarya Devi Divya Victor School of Humanities and Social Sciences DRNTU::Humanities This essay will begin by exploring the trauma of a postcolonial Tamilnadu and how it affects its treatment of fair skinned women in Tamil cinema. The essay will then progress to argue that the casting of fair-skinned heroines in mainstream Tamil cinema enables postcolonial India to re-examine its relationship with its former colonial masters. Bachelor of Arts 2017-04-18T02:11:39Z 2017-04-18T02:11:39Z 2017 Final Year Project (FYP) http://hdl.handle.net/10356/70255 en Nanyang Technological University 31 p. application/pdf
institution Nanyang Technological University
building NTU Library
country Singapore
collection DR-NTU
language English
topic DRNTU::Humanities
spellingShingle DRNTU::Humanities
Arivazhagan, Aiswarya Devi
Pachai, Manjal, Karuppu Thamizhan/ Green, Yellow, Black Tamil : a study of the effects of colorism in postcolonial India, as represented by Tamil cinema
description This essay will begin by exploring the trauma of a postcolonial Tamilnadu and how it affects its treatment of fair skinned women in Tamil cinema. The essay will then progress to argue that the casting of fair-skinned heroines in mainstream Tamil cinema enables postcolonial India to re-examine its relationship with its former colonial masters.
author2 Divya Victor
author_facet Divya Victor
Arivazhagan, Aiswarya Devi
format Final Year Project
author Arivazhagan, Aiswarya Devi
author_sort Arivazhagan, Aiswarya Devi
title Pachai, Manjal, Karuppu Thamizhan/ Green, Yellow, Black Tamil : a study of the effects of colorism in postcolonial India, as represented by Tamil cinema
title_short Pachai, Manjal, Karuppu Thamizhan/ Green, Yellow, Black Tamil : a study of the effects of colorism in postcolonial India, as represented by Tamil cinema
title_full Pachai, Manjal, Karuppu Thamizhan/ Green, Yellow, Black Tamil : a study of the effects of colorism in postcolonial India, as represented by Tamil cinema
title_fullStr Pachai, Manjal, Karuppu Thamizhan/ Green, Yellow, Black Tamil : a study of the effects of colorism in postcolonial India, as represented by Tamil cinema
title_full_unstemmed Pachai, Manjal, Karuppu Thamizhan/ Green, Yellow, Black Tamil : a study of the effects of colorism in postcolonial India, as represented by Tamil cinema
title_sort pachai, manjal, karuppu thamizhan/ green, yellow, black tamil : a study of the effects of colorism in postcolonial india, as represented by tamil cinema
publishDate 2017
url http://hdl.handle.net/10356/70255
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