Satire, structure, and postmodernity : reimagining Catch-22

This thesis looks at how Joseph Heller's novel, "Catch-22" can be read using the framework of postmodernity and Mikhail Bakhtin's 'carnival'. It looks at the context of the novel's publication and the various ways it reflects the society of the time as well as how...

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Main Author: Dhaliwal, Kieran
Other Authors: Richard Barlow
Format: Final Year Project
Language:English
Published: 2017
Subjects:
Online Access:http://hdl.handle.net/10356/70378
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Institution: Nanyang Technological University
Language: English
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spelling sg-ntu-dr.10356-703782019-12-10T13:21:55Z Satire, structure, and postmodernity : reimagining Catch-22 Dhaliwal, Kieran Richard Barlow School of Humanities and Social Sciences DRNTU::Humanities This thesis looks at how Joseph Heller's novel, "Catch-22" can be read using the framework of postmodernity and Mikhail Bakhtin's 'carnival'. It looks at the context of the novel's publication and the various ways it reflects the society of the time as well as how it was generally critiqued when it first came out. The thesis also contrasts the different types of satire in the novel, like Juvenilian and Menippean satire, as well as focuses on its postmodern themes and experimentation. By reading the novel as Menippean satire and with a focus on postmodernism and its aesthetic, the thesis offers a newer or alternative method to read the novel, one based in light of the changing nature satire. Bachelor of Arts 2017-04-21T04:13:52Z 2017-04-21T04:13:52Z 2017 Final Year Project (FYP) http://hdl.handle.net/10356/70378 en Nanyang Technological University 36 p. application/pdf
institution Nanyang Technological University
building NTU Library
country Singapore
collection DR-NTU
language English
topic DRNTU::Humanities
spellingShingle DRNTU::Humanities
Dhaliwal, Kieran
Satire, structure, and postmodernity : reimagining Catch-22
description This thesis looks at how Joseph Heller's novel, "Catch-22" can be read using the framework of postmodernity and Mikhail Bakhtin's 'carnival'. It looks at the context of the novel's publication and the various ways it reflects the society of the time as well as how it was generally critiqued when it first came out. The thesis also contrasts the different types of satire in the novel, like Juvenilian and Menippean satire, as well as focuses on its postmodern themes and experimentation. By reading the novel as Menippean satire and with a focus on postmodernism and its aesthetic, the thesis offers a newer or alternative method to read the novel, one based in light of the changing nature satire.
author2 Richard Barlow
author_facet Richard Barlow
Dhaliwal, Kieran
format Final Year Project
author Dhaliwal, Kieran
author_sort Dhaliwal, Kieran
title Satire, structure, and postmodernity : reimagining Catch-22
title_short Satire, structure, and postmodernity : reimagining Catch-22
title_full Satire, structure, and postmodernity : reimagining Catch-22
title_fullStr Satire, structure, and postmodernity : reimagining Catch-22
title_full_unstemmed Satire, structure, and postmodernity : reimagining Catch-22
title_sort satire, structure, and postmodernity : reimagining catch-22
publishDate 2017
url http://hdl.handle.net/10356/70378
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