Satire, structure, and postmodernity : reimagining Catch-22
This thesis looks at how Joseph Heller's novel, "Catch-22" can be read using the framework of postmodernity and Mikhail Bakhtin's 'carnival'. It looks at the context of the novel's publication and the various ways it reflects the society of the time as well as how...
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2017
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sg-ntu-dr.10356-703782019-12-10T13:21:55Z Satire, structure, and postmodernity : reimagining Catch-22 Dhaliwal, Kieran Richard Barlow School of Humanities and Social Sciences DRNTU::Humanities This thesis looks at how Joseph Heller's novel, "Catch-22" can be read using the framework of postmodernity and Mikhail Bakhtin's 'carnival'. It looks at the context of the novel's publication and the various ways it reflects the society of the time as well as how it was generally critiqued when it first came out. The thesis also contrasts the different types of satire in the novel, like Juvenilian and Menippean satire, as well as focuses on its postmodern themes and experimentation. By reading the novel as Menippean satire and with a focus on postmodernism and its aesthetic, the thesis offers a newer or alternative method to read the novel, one based in light of the changing nature satire. Bachelor of Arts 2017-04-21T04:13:52Z 2017-04-21T04:13:52Z 2017 Final Year Project (FYP) http://hdl.handle.net/10356/70378 en Nanyang Technological University 36 p. application/pdf |
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DRNTU::Humanities Dhaliwal, Kieran Satire, structure, and postmodernity : reimagining Catch-22 |
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This thesis looks at how Joseph Heller's novel, "Catch-22" can be read using the framework of postmodernity and Mikhail Bakhtin's 'carnival'. It looks at the context of the novel's publication and the various ways it reflects the society of the time as well as how it was generally critiqued when it first came out. The thesis also contrasts the different types of satire in the novel, like Juvenilian and Menippean satire, as well as focuses on its postmodern themes and experimentation. By reading the novel as Menippean satire and with a focus on postmodernism and its aesthetic, the thesis offers a newer or alternative method to read the novel, one based in light of the changing nature satire. |
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Richard Barlow |
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Richard Barlow Dhaliwal, Kieran |
format |
Final Year Project |
author |
Dhaliwal, Kieran |
author_sort |
Dhaliwal, Kieran |
title |
Satire, structure, and postmodernity : reimagining Catch-22 |
title_short |
Satire, structure, and postmodernity : reimagining Catch-22 |
title_full |
Satire, structure, and postmodernity : reimagining Catch-22 |
title_fullStr |
Satire, structure, and postmodernity : reimagining Catch-22 |
title_full_unstemmed |
Satire, structure, and postmodernity : reimagining Catch-22 |
title_sort |
satire, structure, and postmodernity : reimagining catch-22 |
publishDate |
2017 |
url |
http://hdl.handle.net/10356/70378 |
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1681043251406045184 |