Exposing marginalisation and resisting hierarchy in How Late It Was, How Late

This essay explores how Glaswegian author, James Kelman exposes and resists the class and language hierarchy in society in his Booker-Prize-winning-novel, How Late It Was, How Late. Accused of being more of a reporter who jots down facts than an artist who crafts his work, Kelman proves that staying...

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Main Author:	Chan, Grace Fiona Rui Ying
Other Authors:	Richard Alan Barlow
Format:	Final Year Project
Language:	English
Published:	2017
Subjects:	DRNTU::Humanities::Literature
Online Access:	http://hdl.handle.net/10356/70559
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Institution:	Nanyang Technological University
Language:	English

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spelling	sg-ntu-dr.10356-705592019-12-10T13:46:41Z Exposing marginalisation and resisting hierarchy in How Late It Was, How Late Chan, Grace Fiona Rui Ying Richard Alan Barlow School of Humanities and Social Sciences DRNTU::Humanities::Literature This essay explores how Glaswegian author, James Kelman exposes and resists the class and language hierarchy in society in his Booker-Prize-winning-novel, How Late It Was, How Late. Accused of being more of a reporter who jots down facts than an artist who crafts his work, Kelman proves that staying true to his background by writing in the language he speaks in instead of using 'proper' language can be a creative tool in exposing and resisting marginalisation in society. Bachelor of Arts 2017-04-27T07:47:21Z 2017-04-27T07:47:21Z 2017 Final Year Project (FYP) http://hdl.handle.net/10356/70559 en Nanyang Technological University 35 p. application/pdf
institution	Nanyang Technological University
building	NTU Library
country	Singapore
collection	DR-NTU
language	English
topic	DRNTU::Humanities::Literature
spellingShingle	DRNTU::Humanities::Literature Chan, Grace Fiona Rui Ying Exposing marginalisation and resisting hierarchy in How Late It Was, How Late
description	This essay explores how Glaswegian author, James Kelman exposes and resists the class and language hierarchy in society in his Booker-Prize-winning-novel, How Late It Was, How Late. Accused of being more of a reporter who jots down facts than an artist who crafts his work, Kelman proves that staying true to his background by writing in the language he speaks in instead of using 'proper' language can be a creative tool in exposing and resisting marginalisation in society.
author2	Richard Alan Barlow
author_facet	Richard Alan Barlow Chan, Grace Fiona Rui Ying
format	Final Year Project
author	Chan, Grace Fiona Rui Ying
author_sort	Chan, Grace Fiona Rui Ying
title	Exposing marginalisation and resisting hierarchy in How Late It Was, How Late
title_short	Exposing marginalisation and resisting hierarchy in How Late It Was, How Late
title_full	Exposing marginalisation and resisting hierarchy in How Late It Was, How Late
title_fullStr	Exposing marginalisation and resisting hierarchy in How Late It Was, How Late
title_full_unstemmed	Exposing marginalisation and resisting hierarchy in How Late It Was, How Late
title_sort	exposing marginalisation and resisting hierarchy in how late it was, how late
publishDate	2017
url	http://hdl.handle.net/10356/70559
_version_	1681037870268153856

Exposing marginalisation and resisting hierarchy in How Late It Was, How Late

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