Pantang : perspectives and realities of mortality
‘Pantang’ attempts to discuss the significance of death and remembrance of identity through a multidimensional exhibition. Using the play of perspectives and simulation of different realities of mortality, ‘Pantang’ intends to open a discourse around cultural practices, remembrance and respect on ou...
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2017
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sg-ntu-dr.10356-718252019-12-10T12:22:16Z Pantang : perspectives and realities of mortality Ngian, Xuan Rong Ben Alvin Shedd Laura Miotto School of Art, Design and Media Ang Chin Moh Foundation DRNTU::Visual arts and music DRNTU::Social sciences DRNTU::Humanities ‘Pantang’ attempts to discuss the significance of death and remembrance of identity through a multidimensional exhibition. Using the play of perspectives and simulation of different realities of mortality, ‘Pantang’ intends to open a discourse around cultural practices, remembrance and respect on our individuality; for who you are is intrinsically tied to your own life and death. These realities will reflect how death is confronted in the contemporary society. Through the exhibition, “pantang-ness” is being deconstructed and viewers will be led to confront to their identity as they explore the different dimensions of life and death. Bachelor of Fine Arts 2017-05-19T05:17:20Z 2017-05-19T05:17:20Z 2017 Final Year Project (FYP) http://hdl.handle.net/10356/71825 en Nanyang Technological University 32 p. application/pdf application/pdf |
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DRNTU::Visual arts and music DRNTU::Social sciences DRNTU::Humanities Ngian, Xuan Rong Pantang : perspectives and realities of mortality |
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‘Pantang’ attempts to discuss the significance of death and remembrance of identity through a multidimensional exhibition. Using the play of perspectives and simulation of different realities of mortality, ‘Pantang’ intends to open a discourse around cultural practices, remembrance and respect on our individuality; for who you are is intrinsically tied to your own life and death. These realities will reflect how death is confronted in the contemporary society.
Through the exhibition, “pantang-ness” is being deconstructed and viewers will be led to confront to their identity as they explore the different dimensions of life and death. |
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Ben Alvin Shedd |
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Ben Alvin Shedd Ngian, Xuan Rong |
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Final Year Project |
author |
Ngian, Xuan Rong |
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Ngian, Xuan Rong |
title |
Pantang : perspectives and realities of mortality |
title_short |
Pantang : perspectives and realities of mortality |
title_full |
Pantang : perspectives and realities of mortality |
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Pantang : perspectives and realities of mortality |
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Pantang : perspectives and realities of mortality |
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pantang : perspectives and realities of mortality |
publishDate |
2017 |
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http://hdl.handle.net/10356/71825 |
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1681042564393730048 |