书写马共历史 ：以金枝芒、黄锦树、廖克发为例 = Narrating the history of Malayan Communist Party : a case study of Jin Zhi Mang, Ng Kim Chew, and Lau Kek Huat

• Main Author: 杨量而 Yong, Liang Yi
• Other Authors: Ting Chun Chun
• Format: Final Year Project
• Language: Chinese
• Published: 2018
• Subjects: DRNTU::Humanities::History
• Online Access: http://hdl.handle.net/10356/73395
• Institution: Nanyang Technological University

马来亚共产党，简称马共，成立于1930年。至今，马共历史已走过半个世纪之久，但一直以来都被官方所规训，给人民留下刻板的负面印象，认为马共是破坏社会安宁的“恐怖分子”。1989年，马共与马泰政府签署和平协议后，走出森林，终于结束了这场长达四十多年的战役。然而，在马来西亚公开讨论马共仍是禁止的，属于较敏感的课题，连与马共相关的电影亦遭到禁播。2000年后，与马共相关的回忆录、自传或小说都开始大量出版面世，以“小历史”、“小叙事”的姿态与官方的历史叙事对话，打破官方的一元叙事观。不过，“小历史”必然也存在其分歧点，马共局内人、局外人或后代皆以不同的历史视角，为读者ᨀ供了马共历史的各个面向。本论文以不同时代的创作者与其作品，如金枝芒《饥饿》、黄锦树《山路》与廖克发《不即不离》为例子，探讨局内、局外的叙述者金枝芒和黄锦树如何从虚构的小说中去建构属于他们的历史及解构历史框架，又或是从后代拍摄的纪录片中去重构和反思这段历史。 The Malayan Communist Party (MCP), was founded in 1930. More than half century has passed however, the written history of MCP has been strictly monitored by the government, leaving a negative impression on the people and the MCP has been labelled as “terrorist” who has undermined social peace. In 1989, the MCP surrendered its arms, and finally ended the battle that had been fought for more than 40 years by signing a peace agreement with both Malaysian and Thai governments. However, it was still prohibited to discuss MCP history in public as it was considered as a sensitive issue in Malaysia, even the film which was related to the MCP had been banned by the government. After 2000, a large number of memoirs, autobiography and novel have been published in the form of “small history” or “small narrative”. These writings responded to the official historical narration and challenged its single narrative perspective. On the other hand, inevitably like all history narration, there are several contradictions in the “small history”, thus providing us different point of view from the insider, outsider and from the next generation of MCP. This thesis will be studying works related to the history of MCP from authors with various backgrounds. Two fictions written by the insider and outsider of MCP — Jin Zhi Mang’s “Ji e” and Ng Kim Chew’s “Shan Lu” were analysed respectively to understand how they constructed and deconstructed the history from the fictional characters. Lau Kek Huat’s documentary “Absent Without Leave” was also studied, to understand how the thirdgeneration of MCP reconstructed and reflected this history.