中国盗墓小说研究 ：以《鬼吹灯》为探讨中心 = Research on Chinese Tomb-raiding novel : taking “Candle in tomb” as an example

• Main Author: 王莹 Wang, Ying
• Other Authors: Qu Jingyi
• Format: Final Year Project
• Language: Chinese
• Published: 2018
• Subjects: DRNTU::Humanities::Literature::Chinese
• Online Access: http://hdl.handle.net/10356/73405
• Institution: Nanyang Technological University

自《鬼吹灯》在网络迅速走红之后，网络平台涌现大量同类作品。不仅开创盗墓小说的新型创作题材，更形成一个跨媒介的产业链。本文以《鬼吹灯》为主要讨论对象，探讨盗墓小说的魅力。解析为何一本《鬼吹灯》，就能掀起一阵盗墓风潮，又能在新作不断的情况下仍占鳌头。本文分三个要点。其一，追溯盗墓叙事的产生，了解古典文学中的盗墓叙事及其在当时社会的价值。其二，分析同为盗墓主题，盗墓小说对古典盗墓叙事的继承与突破，它对西方文学又有何吸纳借鉴。其三，解析盗墓小说大受欢迎的因素，并探讨其文学价值与不乐观的发展前景。Since the "Candle in the Tomb" quickly became popular on the Internet, a large number of similar works emerged on the platform. It not only created a new theme for the novel of Tomb Raider but also formed a cross-media industrial chain. Therefore, this paper uses "Candle in the Tomb" as the main object of discussion and explores the charm of the tomb-raiding novel. Try to explain why "Candle in the Tomb" can start a trend on the tomb-raiding novel and it is still the leading one even there have so many tomb-raiding novels coming up. This paper is been divided into three main points. First, to trace the source of tomb-raiding narration, to understand the tomb-raiding narration in Chinese classical literature and its social value at the time. Second, tomb-raiding novels' succession and breakthrough of Chinese classic tomb-raiding narrative, other Chinese classical literature, as well as the literary elements it learned from Western literature. Third, analyzing the popular factors of the tomb-raiding novel and discussing its value as well as obstacles in its development path.