流动的盛宴 ：文图学视角下的“兰亭修禊”研究 = The moveable feast : a study of the Orchid Pavilion gathering in text and image studies

• Main Author: 孔令俐 Kong Lingli
• Other Authors: I Lo-fen
• Format: Theses and Dissertations
• Language: Chinese
• Published: 2018
• Subjects: DRNTU::Humanities::Literature
• Online Access: http://hdl.handle.net/10356/74281
• Institution: Nanyang Technological University

本论文以《兰亭修禊图》及其相关题诗作为研究对象，运用文图学的方法探讨“兰亭修禊”图像的历史发展脉络，从而勾勒出这一主题从画题成型，到观赏体验，再到广泛实践的整体面貌。首先从“兰亭修禊”经典化的产生背景和涵盖内容，指出画题的成型与《兰亭序》书法典范的确立及文本内在的精神价值密不可分。其次将会论述存世《兰亭修禊图》三种类型的基本概况，并分别从画面的人物塑造与环境经营两个面向讨论画题的呈现特点，以及在题诗中反映出的画外之音。第三是将《兰亭修禊图》置于明清的历史语境中，关注其多元化的实践形式，无论是进入到工艺美术的范畴，亦或是重新对景观的复现，都寄托着高雅品味和其背后的文人理想。但是随着模板式的图像复制和拼贴的泛滥，“兰亭修禊” 的图像也逐渐透露出附庸风雅的现象，与其本身的精神价值又背道而驰。本研究通过对以上问题的分析，重新审视《兰亭修禊图》在流动的时空中扮演的重要枢纽角色，一端连接了最初的文本和事件，另一端又通过题跋展现出整个意象的历史演进和丰富意涵，使三者得以在图像之中进行对话。 This thesis focusing on the Orchid Pavilion Gathering paintings and their postscripts as the research object, explores its historical development in the perspective of Text and Image studies. The analysis will outline the overall process of how the motif is generated and shaped including a wide range of art practices. Firstly, this thesis revisits the background and content of the classic theme of Orchid Pavilion Gathering and examines the generation of the painting motif which is related closely to the establishment of its calligraphy model as well as its inner spiritual value in the literati text. Secondly, this study categories three main types of the Orchid Pavilion Gathering paintings and analyses the performance of the characters and the landscape features respectively. The postscripts also reflect the multiple referents beyond the paintings. Thirdly, in the historical context of the Ming and Qing Dynasties, the Orchid Pavilion Gathering Paintings which indicated the elegant taste and literati ideals appeared diversity practical forms including images, the crafts and gardening art. However, with the proliferating duplication and collage of template-based image, the image of Orchid Pavilion Gathering gradually reveals an arty-farty phenomenon which runs counter to its spiritual values. This study points out that the Orchid Pavilion Gathering paintings have always played an meaningful pivotal role in the flowing space and time. The Paintings, as the connection between the original context and flourish postscripts and art production in historical evolution, provide a space to conduct a dialogue.