Past & present lives of ______ : re-locating and imagining Malay womenhood
Past and Present Lives of _____ began with me wanting to recreate visions of my own past lives. These visions are imagined through re-locating narratives of women of the Nusantara (Malay archipelago) that may have been forgotten but still resonant within recesses of collective memory. This paper wil...
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sg-ntu-dr.10356-780152019-12-10T11:23:12Z Past & present lives of ______ : re-locating and imagining Malay womenhood Dyan Hidayat Ismawi Ang Song Nian School of Art, Design and Media DRNTU::Visual arts and music::Photography Past and Present Lives of _____ began with me wanting to recreate visions of my own past lives. These visions are imagined through re-locating narratives of women of the Nusantara (Malay archipelago) that may have been forgotten but still resonant within recesses of collective memory. This paper will first begin through a reframing of womanhood with Halberstarm’s proposition of queer time and place then followed with definitions of both ‘Malay’ and the ‘Nusantara’. Specific mentions of regional womanhood that have contributed to my research will also be made. Moving forward to the image-making process, this paper will also look at my reconciliation with my own ideas of photographic portraiture with the violence of colonialism. This will result in looking at regional specific ways of image-making beyond just photography. Bachelor of Fine Arts in Photography and Digital Imaging 2019-06-11T03:49:00Z 2019-06-11T03:49:00Z 2019 Final Year Project (FYP) http://hdl.handle.net/10356/78015 en Nanyang Technological University 48 p. application/pdf |
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DRNTU::Visual arts and music::Photography Dyan Hidayat Ismawi Past & present lives of ______ : re-locating and imagining Malay womenhood |
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Past and Present Lives of _____ began with me wanting to recreate visions of my own past lives. These visions are imagined through re-locating narratives of women of the Nusantara (Malay archipelago) that may have been forgotten but still resonant within recesses of collective memory. This paper will first begin through a reframing of womanhood with Halberstarm’s proposition of queer time and place then followed with definitions of both ‘Malay’ and the ‘Nusantara’. Specific mentions of regional womanhood that have contributed to my research will also be made. Moving forward to the image-making process, this paper will also look at my reconciliation with my own ideas of photographic portraiture with the violence of colonialism. This will result in looking at regional specific ways of image-making beyond just photography. |
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Ang Song Nian |
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Ang Song Nian Dyan Hidayat Ismawi |
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Final Year Project |
author |
Dyan Hidayat Ismawi |
author_sort |
Dyan Hidayat Ismawi |
title |
Past & present lives of ______ : re-locating and imagining Malay womenhood |
title_short |
Past & present lives of ______ : re-locating and imagining Malay womenhood |
title_full |
Past & present lives of ______ : re-locating and imagining Malay womenhood |
title_fullStr |
Past & present lives of ______ : re-locating and imagining Malay womenhood |
title_full_unstemmed |
Past & present lives of ______ : re-locating and imagining Malay womenhood |
title_sort |
past & present lives of ______ : re-locating and imagining malay womenhood |
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2019 |
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http://hdl.handle.net/10356/78015 |
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1681047210889838592 |