Jangka (expectations)
The word jangka in Malay has a dual meaning: a duration of time, or to expect. As the title of this work, it encapsulates the artist’s experience growing up in Singapore as a person of mixed ethnicities, and his experience navigating the expectations that come with each of his ethnic roots. An autoe...
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| Format: | Final Year Project |
| Language: | English |
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2019
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| Online Access: | http://hdl.handle.net/10356/78023 |
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| Institution: | Nanyang Technological University |
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sg-ntu-dr.10356-780232019-12-10T13:46:45Z Jangka (expectations) Rifdi Rosly Oh Soon-Hwa School of Art, Design and Media DRNTU::Visual arts and music::Photography::Techniques The word jangka in Malay has a dual meaning: a duration of time, or to expect. As the title of this work, it encapsulates the artist’s experience growing up in Singapore as a person of mixed ethnicities, and his experience navigating the expectations that come with each of his ethnic roots. An autoethnographic exploration, the project follows images that allude to moments in the artist’s life when he has felt that he has not lived up to the expectations of who he is expected to be as a Malay-Chinese Muslim member within his own family and in Singapore, and confronts his repressed guilt towards these expectations. Bachelor of Fine Arts in Photography and Digital Imaging 2019-06-11T04:33:43Z 2019-06-11T04:33:43Z 2019 Final Year Project (FYP) http://hdl.handle.net/10356/78023 en Nanyang Technological University 40 p. application/pdf |
| institution |
Nanyang Technological University |
| building |
NTU Library |
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Singapore |
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DR-NTU |
| language |
English |
| topic |
DRNTU::Visual arts and music::Photography::Techniques |
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DRNTU::Visual arts and music::Photography::Techniques Rifdi Rosly Jangka (expectations) |
| description |
The word jangka in Malay has a dual meaning: a duration of time, or to expect. As the title of this work, it encapsulates the artist’s experience growing up in Singapore as a person of mixed ethnicities, and his experience navigating the expectations that come with each of his ethnic roots. An autoethnographic exploration, the project follows images that allude to moments in the artist’s life when he has felt that he has not lived up to the expectations of who he is expected to be as a Malay-Chinese Muslim member within his own family and in Singapore, and confronts his repressed guilt towards these expectations. |
| author2 |
Oh Soon-Hwa |
| author_facet |
Oh Soon-Hwa Rifdi Rosly |
| format |
Final Year Project |
| author |
Rifdi Rosly |
| author_sort |
Rifdi Rosly |
| title |
Jangka (expectations) |
| title_short |
Jangka (expectations) |
| title_full |
Jangka (expectations) |
| title_fullStr |
Jangka (expectations) |
| title_full_unstemmed |
Jangka (expectations) |
| title_sort |
jangka (expectations) |
| publishDate |
2019 |
| url |
http://hdl.handle.net/10356/78023 |
| _version_ |
1681037106902728704 |