Composers' rights in a digital world

This paper looks into how music composers’ rights to their work are dependent on the nature of a work as well as its origin and underlying philosophy. Some differences and overlaps between French Droit d’auteur, Anglo-Saxon Copyright and the Copyleft movement will be explored. I will briefly touch o...

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Main Author: Lindborg, PerMagnus
Other Authors: School of Art, Design and Media
Format: Conference or Workshop Item
Language:English
Published: 2011
Subjects:
Online Access:https://hdl.handle.net/10356/80079
http://hdl.handle.net/10220/6755
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Institution: Nanyang Technological University
Language: English
id sg-ntu-dr.10356-80079
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spelling sg-ntu-dr.10356-800792019-12-06T13:40:11Z Composers' rights in a digital world Lindborg, PerMagnus School of Art, Design and Media Intellectual Property Rights and Copyrights in Music Field (2007 : Hanoi) DRNTU::Visual arts and music::Music This paper looks into how music composers’ rights to their work are dependent on the nature of a work as well as its origin and underlying philosophy. Some differences and overlaps between French Droit d’auteur, Anglo-Saxon Copyright and the Copyleft movement will be explored. I will briefly touch on examples from my own compositional practice. Accepted version 2011-03-08T06:25:07Z 2019-12-06T13:40:11Z 2011-03-08T06:25:07Z 2019-12-06T13:40:11Z 2007 2007 Conference Paper Lindborg, P. (2007). Composers' rights in a digital world. Intellectual Property Rights and Copyrights in Music Field (2007:Hanoi), pp.1-4. https://hdl.handle.net/10356/80079 http://hdl.handle.net/10220/6755 131299 en 4 p. + 1 slide file application/pdf application/octet-stream
institution Nanyang Technological University
building NTU Library
country Singapore
collection DR-NTU
language English
topic DRNTU::Visual arts and music::Music
spellingShingle DRNTU::Visual arts and music::Music
Lindborg, PerMagnus
Composers' rights in a digital world
description This paper looks into how music composers’ rights to their work are dependent on the nature of a work as well as its origin and underlying philosophy. Some differences and overlaps between French Droit d’auteur, Anglo-Saxon Copyright and the Copyleft movement will be explored. I will briefly touch on examples from my own compositional practice.
author2 School of Art, Design and Media
author_facet School of Art, Design and Media
Lindborg, PerMagnus
format Conference or Workshop Item
author Lindborg, PerMagnus
author_sort Lindborg, PerMagnus
title Composers' rights in a digital world
title_short Composers' rights in a digital world
title_full Composers' rights in a digital world
title_fullStr Composers' rights in a digital world
title_full_unstemmed Composers' rights in a digital world
title_sort composers' rights in a digital world
publishDate 2011
url https://hdl.handle.net/10356/80079
http://hdl.handle.net/10220/6755
_version_ 1681039247315828736