南宋《胡笳十八拍》集句诗之书写及其历史意义 = Adaptations of Southern song's poem 'Hujia Shibapai' and their historical significance

• Main Author: 衣若芬 I, Lo-Fen
• Other Authors: School of Humanities and Social Sciences
• Format: Article
• Language: Chinese
• Published: 2015
• Subjects: DRNTU::Humanities::Literature::Chinese
• Online Access: https://hdl.handle.net/10356/80486; http://hdl.handle.net/10220/25448; http://www.journals.zju.edu.cn/soc/CN/abstract/abstract10394.shtml#
• Institution: Nanyang Technological University

传为蔡琰所作之诗有五言体和骚体的《悲愤诗》及《胡笳十八拍》,《胡笳十八拍》虽然不能确定为蔡琰所作,但由其文字内容观察,作者十分贴近蔡琰的心灵声音。其后以《胡笳十八拍》为题目的续作者,唐代有刘商,宋代则有王安石、李纲和文天祥等人的集句诗。李纲和文天祥《胡笳十八拍》集句诗的历史意义可梳理为三个层次:一是延续王安石的《胡笳十八拍》集句手法,仿效蔡琰自述乱离身世的叙事模式;二是进一步确立了杜甫的文学地位,推崇杜诗为集句诗写作的取材典范;三是实践“以诗为史”,扩大了“诗史”的指涉范围。Cai Yan,daughter of Cai Yong,was a renowned poet in the East...