Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance
To work flexibly with the sound design for The Locust Wrath, a multimedia dance performance on the topic of climate change, we developed a software for interactive sonification of climate data. An open- ended approach to parameter mapping allowed tweaking and improvisation during rehearsals, resulti...
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sg-ntu-dr.10356-818412019-12-06T14:41:19Z Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance Lindborg, PerMagnus School of Art, Design and Media DRNTU::Visual arts and music::Performing arts DRNTU::Visual arts and music::Music::Dance DRNTU::Visual arts and music::Music::Compositions DRNTU::Engineering::Computer science and engineering::Computer applications::Arts and humanities sonification aesthetic multimedia performance To work flexibly with the sound design for The Locust Wrath, a multimedia dance performance on the topic of climate change, we developed a software for interactive sonification of climate data. An open- ended approach to parameter mapping allowed tweaking and improvisation during rehearsals, resulting in a large range of musical expression. The sonifications represented weather systems pushing through South-East Asia in complex patterns. The climate was rendered as a piece of electroacoustic music, whose compositional form - gesture, timbre, intensity, harmony, spatiality - was determined by the data. The article discusses aspects of aesthetic sonification, reports the process of developing the present work, and contextualises the design decisions within theories of crossmodal perception and listening modes. Accepted version 2016-04-12T03:20:41Z 2019-12-06T14:41:19Z 2016-04-12T03:20:41Z 2019-12-06T14:41:19Z 2015 2015 Journal Article Lindborg, P. (2015). Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance. Leonardo, in press. 0024-094X https://hdl.handle.net/10356/81841 http://hdl.handle.net/10220/40394 en Leonardo © Massachusetts Institute of Technology Press (MIT Press). This is the author created version of a work that has been peer reviewed and accepted for publication by Leonardo, Massachusetts Institute of Technology Press (MIT Press). It incorporates referee’s comments but changes resulting from the publishing process, such as copyediting, structural formatting, may not be reflected in this document. The published version is available at: [http://www.mitpressjournals.org/loi/leon]. Accepted for publication: 28 June 2015. I have been in contact with the editor who excuses the long delay in publication. The normal embargo time for Leonardo is 6 months. Since this period has now passed, the text should be made available in (personal) repositories. application/pdf |
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DRNTU::Visual arts and music::Performing arts DRNTU::Visual arts and music::Music::Dance DRNTU::Visual arts and music::Music::Compositions DRNTU::Engineering::Computer science and engineering::Computer applications::Arts and humanities sonification aesthetic multimedia performance |
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DRNTU::Visual arts and music::Performing arts DRNTU::Visual arts and music::Music::Dance DRNTU::Visual arts and music::Music::Compositions DRNTU::Engineering::Computer science and engineering::Computer applications::Arts and humanities sonification aesthetic multimedia performance Lindborg, PerMagnus Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance |
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To work flexibly with the sound design for The Locust Wrath, a multimedia dance performance on the topic of climate change, we developed a software for interactive sonification of climate data. An open- ended approach to parameter mapping allowed tweaking and improvisation during rehearsals, resulting in a large range of musical expression. The sonifications represented weather systems pushing through South-East Asia in complex patterns. The climate was rendered as a piece of electroacoustic music, whose compositional form - gesture, timbre, intensity, harmony, spatiality - was determined by the data. The article discusses aspects of aesthetic sonification, reports the process of developing the present work, and contextualises the design decisions within theories of crossmodal perception and listening modes. |
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School of Art, Design and Media |
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School of Art, Design and Media Lindborg, PerMagnus |
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Article |
author |
Lindborg, PerMagnus |
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Lindborg, PerMagnus |
title |
Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance |
title_short |
Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance |
title_full |
Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance |
title_fullStr |
Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance |
title_full_unstemmed |
Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance |
title_sort |
interactive sonification of weather data for the locust wrath, a multimedia dance performance |
publishDate |
2016 |
url |
https://hdl.handle.net/10356/81841 http://hdl.handle.net/10220/40394 |
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1681049901361790976 |