试论宇文所安《剑桥中国文学史》的理念与呈现 = Principle and presentation on the Cambridge history of Chinese literature (Volume I)

通过对宇文所安教授主编的《剑桥中国文学史》(第一卷)的分析,结合其以往著作中有关编纂文学史的观点,并与袁行霈教授主编的《中国文学史》进行比较,探讨宇文教授新编文学史理念。本文认为《剑桥中国文学史》秉承了历史主义的研究方法,注重接受史的逻辑思维,提出了文学史是对以往文学文化的叙述、文学史本身就是文学史的一部分、经典的形成经过一系列复杂的中介过程等重要观点。此外,新编文学史还特别关注物质文化对文学的作用、文学发展的不确定性,并打破以朝代进行文学分期的传统、较好的贯彻了以文学本位书写文学史的观念,从“旁观者”的视角提出了颇多新见。Based on analyzing the Cambridge Hi...

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Main Authors: 李佳 Li, Jia, 曲景毅 Qu, Jingyi
Other Authors: School of Humanities and Social Sciences
Format: Article
Language:Chinese
Published: 2016
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Online Access:https://hdl.handle.net/10356/83846
http://hdl.handle.net/10220/41512
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spelling sg-ntu-dr.10356-838462023-07-31T08:08:29Z 试论宇文所安《剑桥中国文学史》的理念与呈现 = Principle and presentation on the Cambridge history of Chinese literature (Volume I) 李佳 Li, Jia 曲景毅 Qu, Jingyi School of Humanities and Social Sciences Stephen Owen Writing Conception on literary history Standard outlook of literature 通过对宇文所安教授主编的《剑桥中国文学史》(第一卷)的分析,结合其以往著作中有关编纂文学史的观点,并与袁行霈教授主编的《中国文学史》进行比较,探讨宇文教授新编文学史理念。本文认为《剑桥中国文学史》秉承了历史主义的研究方法,注重接受史的逻辑思维,提出了文学史是对以往文学文化的叙述、文学史本身就是文学史的一部分、经典的形成经过一系列复杂的中介过程等重要观点。此外,新编文学史还特别关注物质文化对文学的作用、文学发展的不确定性,并打破以朝代进行文学分期的传统、较好的贯彻了以文学本位书写文学史的观念,从“旁观者”的视角提出了颇多新见。Based on analyzing the Cambridge History of Chinese Literature (Volume I) edited by Prof. Stephen Owen, combined with his previous researches and compared with the History of Chinese Literature edited by Prof. Yuan Xingpei, this paper discussed Prof. Steven’s writing conception on History of Chinese Literature. The paper put forward that the Cambridge History of Chinese Literature followed the Historicism Methodology and paid much attention to Reception History. The new works held that history of literature is a historical narrative of “Literary Culture”, itself was a part of the literary history, and formation of classical works passed through a series of complicated mediate process. In addition, the new works emphasized on tangible culture’s effects on development of literary history and this development’s indeterminacy. The editors of the new works broke through the traditional division of historical periods and commendably carried out standard outlook of literature. From the angle of “stander-by”, there are some wonderful academic ideas in this new works. Accepted version 2016-09-30T04:29:18Z 2019-12-06T15:33:09Z 2016-09-30T04:29:18Z 2019-12-06T15:33:09Z 2011 Journal Article Li, J., & Qu, J. (2011). 试论宇文所安《剑桥中国文学史》的理念与呈现 Principle and Presentation on the Cambridge History of Chinese Literature (Volume I). 北京师范大学《文化与诗学》Culture & Poetics, 12(1), 298-319. https://hdl.handle.net/10356/83846 http://hdl.handle.net/10220/41512 zh Culture & Poetics © 2011 北京师范大学. This is the author created version of a work that has been peer reviewed and accepted for publication by Culture & Poetics, 北京师范大学. It incorporates referee’s comments but changes resulting from the publishing process, such as copyediting, structural formatting, may not be reflected in this document. 19 p.
institution Nanyang Technological University
building NTU Library
continent Asia
country Singapore
Singapore
content_provider NTU Library
collection DR-NTU
language Chinese
topic Stephen Owen
Writing Conception on literary history
Standard outlook of literature
spellingShingle Stephen Owen
Writing Conception on literary history
Standard outlook of literature
李佳 Li, Jia
曲景毅 Qu, Jingyi
试论宇文所安《剑桥中国文学史》的理念与呈现 = Principle and presentation on the Cambridge history of Chinese literature (Volume I)
description 通过对宇文所安教授主编的《剑桥中国文学史》(第一卷)的分析,结合其以往著作中有关编纂文学史的观点,并与袁行霈教授主编的《中国文学史》进行比较,探讨宇文教授新编文学史理念。本文认为《剑桥中国文学史》秉承了历史主义的研究方法,注重接受史的逻辑思维,提出了文学史是对以往文学文化的叙述、文学史本身就是文学史的一部分、经典的形成经过一系列复杂的中介过程等重要观点。此外,新编文学史还特别关注物质文化对文学的作用、文学发展的不确定性,并打破以朝代进行文学分期的传统、较好的贯彻了以文学本位书写文学史的观念,从“旁观者”的视角提出了颇多新见。Based on analyzing the Cambridge History of Chinese Literature (Volume I) edited by Prof. Stephen Owen, combined with his previous researches and compared with the History of Chinese Literature edited by Prof. Yuan Xingpei, this paper discussed Prof. Steven’s writing conception on History of Chinese Literature. The paper put forward that the Cambridge History of Chinese Literature followed the Historicism Methodology and paid much attention to Reception History. The new works held that history of literature is a historical narrative of “Literary Culture”, itself was a part of the literary history, and formation of classical works passed through a series of complicated mediate process. In addition, the new works emphasized on tangible culture’s effects on development of literary history and this development’s indeterminacy. The editors of the new works broke through the traditional division of historical periods and commendably carried out standard outlook of literature. From the angle of “stander-by”, there are some wonderful academic ideas in this new works.
author2 School of Humanities and Social Sciences
author_facet School of Humanities and Social Sciences
李佳 Li, Jia
曲景毅 Qu, Jingyi
format Article
author 李佳 Li, Jia
曲景毅 Qu, Jingyi
author_sort 李佳 Li, Jia
title 试论宇文所安《剑桥中国文学史》的理念与呈现 = Principle and presentation on the Cambridge history of Chinese literature (Volume I)
title_short 试论宇文所安《剑桥中国文学史》的理念与呈现 = Principle and presentation on the Cambridge history of Chinese literature (Volume I)
title_full 试论宇文所安《剑桥中国文学史》的理念与呈现 = Principle and presentation on the Cambridge history of Chinese literature (Volume I)
title_fullStr 试论宇文所安《剑桥中国文学史》的理念与呈现 = Principle and presentation on the Cambridge history of Chinese literature (Volume I)
title_full_unstemmed 试论宇文所安《剑桥中国文学史》的理念与呈现 = Principle and presentation on the Cambridge history of Chinese literature (Volume I)
title_sort 试论宇文所安《剑桥中国文学史》的理念与呈现 = principle and presentation on the cambridge history of chinese literature (volume i)
publishDate 2016
url https://hdl.handle.net/10356/83846
http://hdl.handle.net/10220/41512
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