Calvino and other measures of coherence, form and harmony : Invisible cities, If on a Winter’s Night a Traveler and Mr. Palomar

The formal composition of Italo Calvino’s novels Invisible Cities and If on a winter’s night a traveler, in addition to Mr. Palomar, intersect with thematic motifs of geometrical form, incongruity, inner coherence, and existence to signal at different ways of perceiving and being in the world. Each...

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Main Author: Cheong, Adel Xian Hui.
Other Authors: Bede Tregear Scott
Format: Final Year Project
Language:English
Published: 2013
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Online Access:https://hdl.handle.net/10356/95622
http://hdl.handle.net/10220/9457
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Institution: Nanyang Technological University
Language: English
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spelling sg-ntu-dr.10356-956222020-09-27T20:11:20Z Calvino and other measures of coherence, form and harmony : Invisible cities, If on a Winter’s Night a Traveler and Mr. Palomar Cheong, Adel Xian Hui. Bede Tregear Scott School of Humanities and Social Sciences DRNTU::Humanities The formal composition of Italo Calvino’s novels Invisible Cities and If on a winter’s night a traveler, in addition to Mr. Palomar, intersect with thematic motifs of geometrical form, incongruity, inner coherence, and existence to signal at different ways of perceiving and being in the world. Each of these novels belonging Calvino’s later work exhibits an apparent form and order of its own. Yet, in spite of the fragmentary structure shared by these texts, one discerns the complexity of formal design from an internal coherence. Calvino notes with Invisible Cities, that “it was only by providing the serial descriptions with a frame, and thus with a beginning, middle and end, that [the descriptions of cities] could be turned into a book” (cited in McLaughlin 100). Despite the semblance of the received form of the novel furnished by these texts, their textual compositions deviate from the conventions of the realist novel to supply new narrative forms. According to Milan Kundera in The Art of the Novel, “a profound transformation of the novel’s form”, entails “marshaling all intellectual means and all poetic forms to illuminate ‘what only the novel can discover’: man’s being” (64). Surpassing the conventional parameters of the novel’s form, these texts demonstrate Calvino’s exploration of the formal possibilities available to the novel. Yet, as Kundera suggests, “[the novel] cannot breach the limits of its own possibilities, and bringing those limits to light is already an immense discovery, an immense triumph of cognition” (25). Therefore, what possibilities for the novel do these postmodern texts enact? Bachelor of Arts in English 2013-04-08T03:21:35Z 2019-12-06T19:18:23Z 2013-04-08T03:21:35Z 2019-12-06T19:18:23Z 2012 2012 Final Year Project (FYP) Cheong, A. X. H. (2012). Calvino and other measures of coherence, form and harmony: Invisible cities, If on a Winter’s Night a Traveler and Mr. Palomar. Final year project report, Nanyang Technological University. https://hdl.handle.net/10356/95622 http://hdl.handle.net/10220/9457 en Nanyang Technological University 39 p. application/pdf
institution Nanyang Technological University
building NTU Library
country Singapore
collection DR-NTU
language English
topic DRNTU::Humanities
spellingShingle DRNTU::Humanities
Cheong, Adel Xian Hui.
Calvino and other measures of coherence, form and harmony : Invisible cities, If on a Winter’s Night a Traveler and Mr. Palomar
description The formal composition of Italo Calvino’s novels Invisible Cities and If on a winter’s night a traveler, in addition to Mr. Palomar, intersect with thematic motifs of geometrical form, incongruity, inner coherence, and existence to signal at different ways of perceiving and being in the world. Each of these novels belonging Calvino’s later work exhibits an apparent form and order of its own. Yet, in spite of the fragmentary structure shared by these texts, one discerns the complexity of formal design from an internal coherence. Calvino notes with Invisible Cities, that “it was only by providing the serial descriptions with a frame, and thus with a beginning, middle and end, that [the descriptions of cities] could be turned into a book” (cited in McLaughlin 100). Despite the semblance of the received form of the novel furnished by these texts, their textual compositions deviate from the conventions of the realist novel to supply new narrative forms. According to Milan Kundera in The Art of the Novel, “a profound transformation of the novel’s form”, entails “marshaling all intellectual means and all poetic forms to illuminate ‘what only the novel can discover’: man’s being” (64). Surpassing the conventional parameters of the novel’s form, these texts demonstrate Calvino’s exploration of the formal possibilities available to the novel. Yet, as Kundera suggests, “[the novel] cannot breach the limits of its own possibilities, and bringing those limits to light is already an immense discovery, an immense triumph of cognition” (25). Therefore, what possibilities for the novel do these postmodern texts enact?
author2 Bede Tregear Scott
author_facet Bede Tregear Scott
Cheong, Adel Xian Hui.
format Final Year Project
author Cheong, Adel Xian Hui.
author_sort Cheong, Adel Xian Hui.
title Calvino and other measures of coherence, form and harmony : Invisible cities, If on a Winter’s Night a Traveler and Mr. Palomar
title_short Calvino and other measures of coherence, form and harmony : Invisible cities, If on a Winter’s Night a Traveler and Mr. Palomar
title_full Calvino and other measures of coherence, form and harmony : Invisible cities, If on a Winter’s Night a Traveler and Mr. Palomar
title_fullStr Calvino and other measures of coherence, form and harmony : Invisible cities, If on a Winter’s Night a Traveler and Mr. Palomar
title_full_unstemmed Calvino and other measures of coherence, form and harmony : Invisible cities, If on a Winter’s Night a Traveler and Mr. Palomar
title_sort calvino and other measures of coherence, form and harmony : invisible cities, if on a winter’s night a traveler and mr. palomar
publishDate 2013
url https://hdl.handle.net/10356/95622
http://hdl.handle.net/10220/9457
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