Multi-level visual adaptation : dissociating curvature and facial-expression aftereffects produced by the same adapting stimuli
Adaptation aftereffects offer a critical window onto sensory processing in the brain. However, such sensory processing is hierarchical, progressing from the extraction of simple features to the representation of complex patterns. The way that adaptation depends on coordinated changes across differen...
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sg-ntu-dr.10356-977082020-03-07T12:10:40Z Multi-level visual adaptation : dissociating curvature and facial-expression aftereffects produced by the same adapting stimuli Xu, Hong Liu, Pan Dayan, Peter Qian, Ning School of Humanities and Social Sciences Adaptation aftereffects offer a critical window onto sensory processing in the brain. However, such sensory processing is hierarchical, progressing from the extraction of simple features to the representation of complex patterns. The way that adaptation depends on coordinated changes across different levels of the hierarchy has been studied. However, when a given adapting stimulus produces both a low- and a high-level aftereffect, it remains unclear whether the high-level aftereffect is a passive reflection of low-level adaptation, or whether it is generated, at least partially, de novo in high-level areas. We assembled the two key ingredients needed for investigating this question psychophysically. One ingredient involves perceptual tasks that depend rather exclusively on low or high levels of processing, and yet involve partially identical stimuli that inspire cross-level adaptation. For this, we considered the discrimination of curvature or facial expression using curves or cartoon faces. The other ingredient is spatial or temporal stimulus manipulations that limit adaptation to either low or high levels. For this, we used crowding and brief presentations. We found that crowding an adapting curve with flanking curves reduces the curvature aftereffect much more than the facial-expression aftereffect, and vice versa for crowding the adapting face with flanking faces. Additionally, reducing adaptation time to a cartoon face diminishes the curvature aftereffect more drastically than the facial-expression aftereffect. These results suggest that high-level aftereffects, even when generated by a low-level adaptor, are not completely inherited from lower levels, and offer a window into the determining factors. 2013-07-17T07:06:39Z 2019-12-06T19:45:44Z 2013-07-17T07:06:39Z 2019-12-06T19:45:44Z 2012 2012 Journal Article Xu, H., Liu, P., Dayan, P., & Qian, N. (2012). Multi-level visual adaptation: Dissociating curvature and facial-expression aftereffects produced by the same adapting stimuli. Vision Research, 72, 42-53. 0042-6989 https://hdl.handle.net/10356/97708 http://hdl.handle.net/10220/11762 10.1016/j.visres.2012.09.003 en Vision research © 2012 Elsevier Ltd. |
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Adaptation aftereffects offer a critical window onto sensory processing in the brain. However, such sensory processing is hierarchical, progressing from the extraction of simple features to the representation of complex patterns. The way that adaptation depends on coordinated changes across different levels of the hierarchy has been studied. However, when a given adapting stimulus produces both a low- and a high-level aftereffect, it remains unclear whether the high-level aftereffect is a passive reflection of low-level adaptation, or whether it is generated, at least partially, de novo in high-level areas. We assembled the two key ingredients needed for investigating this question psychophysically. One ingredient involves perceptual tasks that depend rather exclusively on low or high levels of processing, and yet involve partially identical stimuli that inspire cross-level adaptation. For this, we considered the discrimination of curvature or facial expression using curves or cartoon faces. The other ingredient is spatial or temporal stimulus manipulations that limit adaptation to either low or high levels. For this, we used crowding and brief presentations. We found that crowding an adapting curve with flanking curves reduces the curvature aftereffect much more than the facial-expression aftereffect, and vice versa for crowding the adapting face with flanking faces. Additionally, reducing adaptation time to a cartoon face diminishes the curvature aftereffect more drastically than the facial-expression aftereffect. These results suggest that high-level aftereffects, even when generated by a low-level adaptor, are not completely inherited from lower levels, and offer a window into the determining factors. |
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School of Humanities and Social Sciences |
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School of Humanities and Social Sciences Xu, Hong Liu, Pan Dayan, Peter Qian, Ning |
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Xu, Hong Liu, Pan Dayan, Peter Qian, Ning |
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Xu, Hong Liu, Pan Dayan, Peter Qian, Ning Multi-level visual adaptation : dissociating curvature and facial-expression aftereffects produced by the same adapting stimuli |
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Xu, Hong |
title |
Multi-level visual adaptation : dissociating curvature and facial-expression aftereffects produced by the same adapting stimuli |
title_short |
Multi-level visual adaptation : dissociating curvature and facial-expression aftereffects produced by the same adapting stimuli |
title_full |
Multi-level visual adaptation : dissociating curvature and facial-expression aftereffects produced by the same adapting stimuli |
title_fullStr |
Multi-level visual adaptation : dissociating curvature and facial-expression aftereffects produced by the same adapting stimuli |
title_full_unstemmed |
Multi-level visual adaptation : dissociating curvature and facial-expression aftereffects produced by the same adapting stimuli |
title_sort |
multi-level visual adaptation : dissociating curvature and facial-expression aftereffects produced by the same adapting stimuli |
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2013 |
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https://hdl.handle.net/10356/97708 http://hdl.handle.net/10220/11762 |
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