Consuming spaces: Clive Barker, William Gibson and the cultural poetics of postmodern fantasy
10.1080/103503300114531
Saved in:
Main Author: | Goh, R.B.H. |
---|---|
Other Authors: | ENGLISH LANGUAGE & LITERATURE |
Format: | Article |
Published: |
2016
|
Online Access: | http://scholarbank.nus.edu.sg/handle/10635/129382 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Institution: | National University of Singapore |
Similar Items
-
ANGELA MITHCELL’S FRACTURED IDENTITY IN WILLIAM
GIBSON’S COUNT ZERO
by: GAMMA REVIRO ARDY, 121211233026
Published: (2016) -
THE LITERARY EVALUATION OF SCIENCE FICTION : WILLIAM GIBSON AND BRUCE STERLING
by: SHAMINI SAMANLATHA ELIZABETH DIAS
Published: (2020) -
Evolving semantics of cyber and punk : a study of cultural relevance with William Gibson & Neal Stephenson.
by: Lee, Melvyn.
Published: (2013) -
The Construction of New Identity of William Wallace in Gibson’s Braveheart: New Historicism Perspective
by: Dodyk Prestian
Published: (2008) -
THE MANIFESTATION OF POSTMODERNISM IN SINGAPORE: USING WILLIAM LIM'S BUILT PROJECTS
by: SYAHRUL NAEM BIN JAILANI
Published: (2017)