MARCEL BREUER – A CREATURE OF THE BAUHAUS: UNDERSTANDING THE GERMAN BAUHAUS IDEOLOGIES 1919 – 1928, THROUGH THE WORKS OF MARCEL BREUER

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Bibliographic Details
Main Author:	GLADYS TOH MEI JUN
Other Authors:	HISTORY
Format:	Theses and Dissertations
Published:	2020
Subjects:	Bauhaus Germany, Marcel Breuer, Furniture, Chairs, Design, Architecture, Modern Art, Crafts, Twentieth Century, Walter Gropius, Germany, United States of America, Art and Crafts Movement, De Stijl, Expressionism, Romanticism, Industrial Revolution, MassProduction, Johannes Ittens, Museum of Modern Art, The Metropolitan Museum of Art
Online Access:	https://scholarbank.nus.edu.sg/handle/10635/184351
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Institution:	National University of Singapore

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spelling	sg-nus-scholar.10635-1843512021-06-09T01:11:48Z MARCEL BREUER – A CREATURE OF THE BAUHAUS: UNDERSTANDING THE GERMAN BAUHAUS IDEOLOGIES 1919 – 1928, THROUGH THE WORKS OF MARCEL BREUER GLADYS TOH MEI JUN HISTORY PRIYA MAHOLAY-JARADI Bauhaus Germany, Marcel Breuer, Furniture, Chairs, Design, Architecture, Modern Art, Crafts, Twentieth Century, Walter Gropius, Germany, United States of America, Art and Crafts Movement, De Stijl, Expressionism, Romanticism, Industrial Revolution, MassProduction, Johannes Ittens, Museum of Modern Art, The Metropolitan Museum of Art Bachelor's BACHELOR OF ARTS (HONOURS) 2020-12-01T04:29:31Z 2020-12-01T04:29:31Z 2020-04-06 Thesis GLADYS TOH MEI JUN (2020-04-06). MARCEL BREUER – A CREATURE OF THE BAUHAUS: UNDERSTANDING THE GERMAN BAUHAUS IDEOLOGIES 1919 – 1928, THROUGH THE WORKS OF MARCEL BREUER. ScholarBank@NUS Repository. https://scholarbank.nus.edu.sg/handle/10635/184351
institution	National University of Singapore
building	NUS Library
continent	Asia
country	Singapore Singapore
content_provider	NUS Library
collection	ScholarBank@NUS
topic	Bauhaus Germany, Marcel Breuer, Furniture, Chairs, Design, Architecture, Modern Art, Crafts, Twentieth Century, Walter Gropius, Germany, United States of America, Art and Crafts Movement, De Stijl, Expressionism, Romanticism, Industrial Revolution, MassProduction, Johannes Ittens, Museum of Modern Art, The Metropolitan Museum of Art
spellingShingle	Bauhaus Germany, Marcel Breuer, Furniture, Chairs, Design, Architecture, Modern Art, Crafts, Twentieth Century, Walter Gropius, Germany, United States of America, Art and Crafts Movement, De Stijl, Expressionism, Romanticism, Industrial Revolution, MassProduction, Johannes Ittens, Museum of Modern Art, The Metropolitan Museum of Art GLADYS TOH MEI JUN MARCEL BREUER – A CREATURE OF THE BAUHAUS: UNDERSTANDING THE GERMAN BAUHAUS IDEOLOGIES 1919 – 1928, THROUGH THE WORKS OF MARCEL BREUER
description	Bachelor's
author2	HISTORY
author_facet	HISTORY GLADYS TOH MEI JUN
format	Theses and Dissertations
author	GLADYS TOH MEI JUN
author_sort	GLADYS TOH MEI JUN
title	MARCEL BREUER – A CREATURE OF THE BAUHAUS: UNDERSTANDING THE GERMAN BAUHAUS IDEOLOGIES 1919 – 1928, THROUGH THE WORKS OF MARCEL BREUER
title_short	MARCEL BREUER – A CREATURE OF THE BAUHAUS: UNDERSTANDING THE GERMAN BAUHAUS IDEOLOGIES 1919 – 1928, THROUGH THE WORKS OF MARCEL BREUER
title_full	MARCEL BREUER – A CREATURE OF THE BAUHAUS: UNDERSTANDING THE GERMAN BAUHAUS IDEOLOGIES 1919 – 1928, THROUGH THE WORKS OF MARCEL BREUER
title_fullStr	MARCEL BREUER – A CREATURE OF THE BAUHAUS: UNDERSTANDING THE GERMAN BAUHAUS IDEOLOGIES 1919 – 1928, THROUGH THE WORKS OF MARCEL BREUER
title_full_unstemmed	MARCEL BREUER – A CREATURE OF THE BAUHAUS: UNDERSTANDING THE GERMAN BAUHAUS IDEOLOGIES 1919 – 1928, THROUGH THE WORKS OF MARCEL BREUER
title_sort	marcel breuer – a creature of the bauhaus: understanding the german bauhaus ideologies 1919 – 1928, through the works of marcel breuer
publishDate	2020
url	https://scholarbank.nus.edu.sg/handle/10635/184351
_version_	1702431038992547840

MARCEL BREUER – A CREATURE OF THE BAUHAUS: UNDERSTANDING THE GERMAN BAUHAUS IDEOLOGIES 1919 – 1928, THROUGH THE WORKS OF MARCEL BREUER

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