Ten years as boundary object: The search for identity and belonging as 'Hongkongers'

This article examines the complex process of symbolic boundary-making of ‘Hongkonger’ cultural identities through the lens of the controversial 2015 film Ten Years, which is a celebrated omnibus production comprised of five short segments that picture a dystopic end to Hong Kong’s cherished way of l...

Full description

Saved in:
Bibliographic Details
Main Authors: LOWE, John, ESPENA Darlene Machell, WONG, George
Format: text
Language:English
Published: Institutional Knowledge at Singapore Management University 2023
Subjects:
Online Access:https://ink.library.smu.edu.sg/cis_research/142
https://ink.library.smu.edu.sg/context/cis_research/article/1141/viewcontent/TenYears_BoundaryObject_av.pdf
Tags: Add Tag
No Tags, Be the first to tag this record!
Institution: Singapore Management University
Language: English
id sg-smu-ink.cis_research-1141
record_format dspace
spelling sg-smu-ink.cis_research-11412023-12-12T08:43:09Z Ten years as boundary object: The search for identity and belonging as 'Hongkongers' LOWE, John ESPENA Darlene Machell, WONG, George This article examines the complex process of symbolic boundary-making of ‘Hongkonger’ cultural identities through the lens of the controversial 2015 film Ten Years, which is a celebrated omnibus production comprised of five short segments that picture a dystopic end to Hong Kong’s cherished way of life in the year 2025. The article is premised on an interdisciplinary approach engaging with cultural studies and film studies. On one hand, it explores how Ten Years functioned as a boundary object, a vast terrain within which cultural identities of what it means to be a Hongkonger are constructed, banished, imagined, and performed under the rubric of bodily performatives. On the other hand, it offers blurring encounters into unfamiliar and precarious territories where the formation and formulation of Hongkonger identities and sense of belonging are negotiated, evacuated, and inhabited. In the end, the key tropes in Ten Years suggest that boundary work in post-Umbrella Hong Kong affectively negotiates with state-level nationalism advocated by the central government in Beijing through establishing and reformulating notions of ‘localism’ and Hongkonger identities. 2023-11-01T07:00:00Z text application/pdf https://ink.library.smu.edu.sg/cis_research/142 info:doi/10.1080/10357823.2023.2280226 https://ink.library.smu.edu.sg/context/cis_research/article/1141/viewcontent/TenYears_BoundaryObject_av.pdf http://creativecommons.org/licenses/by-nc-nd/4.0/ Research Collection College of Integrative Studies eng Institutional Knowledge at Singapore Management University blurring boundary boundary object China ethnic boundaries Hong Kong Hongkonger identity Ten Years Asian Studies Film and Media Studies Race and Ethnicity South and Southeast Asian Languages and Societies
institution Singapore Management University
building SMU Libraries
continent Asia
country Singapore
Singapore
content_provider SMU Libraries
collection InK@SMU
language English
topic blurring boundary
boundary object
China
ethnic boundaries
Hong Kong
Hongkonger identity
Ten Years
Asian Studies
Film and Media Studies
Race and Ethnicity
South and Southeast Asian Languages and Societies
spellingShingle blurring boundary
boundary object
China
ethnic boundaries
Hong Kong
Hongkonger identity
Ten Years
Asian Studies
Film and Media Studies
Race and Ethnicity
South and Southeast Asian Languages and Societies
LOWE, John
ESPENA Darlene Machell,
WONG, George
Ten years as boundary object: The search for identity and belonging as 'Hongkongers'
description This article examines the complex process of symbolic boundary-making of ‘Hongkonger’ cultural identities through the lens of the controversial 2015 film Ten Years, which is a celebrated omnibus production comprised of five short segments that picture a dystopic end to Hong Kong’s cherished way of life in the year 2025. The article is premised on an interdisciplinary approach engaging with cultural studies and film studies. On one hand, it explores how Ten Years functioned as a boundary object, a vast terrain within which cultural identities of what it means to be a Hongkonger are constructed, banished, imagined, and performed under the rubric of bodily performatives. On the other hand, it offers blurring encounters into unfamiliar and precarious territories where the formation and formulation of Hongkonger identities and sense of belonging are negotiated, evacuated, and inhabited. In the end, the key tropes in Ten Years suggest that boundary work in post-Umbrella Hong Kong affectively negotiates with state-level nationalism advocated by the central government in Beijing through establishing and reformulating notions of ‘localism’ and Hongkonger identities.
format text
author LOWE, John
ESPENA Darlene Machell,
WONG, George
author_facet LOWE, John
ESPENA Darlene Machell,
WONG, George
author_sort LOWE, John
title Ten years as boundary object: The search for identity and belonging as 'Hongkongers'
title_short Ten years as boundary object: The search for identity and belonging as 'Hongkongers'
title_full Ten years as boundary object: The search for identity and belonging as 'Hongkongers'
title_fullStr Ten years as boundary object: The search for identity and belonging as 'Hongkongers'
title_full_unstemmed Ten years as boundary object: The search for identity and belonging as 'Hongkongers'
title_sort ten years as boundary object: the search for identity and belonging as 'hongkongers'
publisher Institutional Knowledge at Singapore Management University
publishDate 2023
url https://ink.library.smu.edu.sg/cis_research/142
https://ink.library.smu.edu.sg/context/cis_research/article/1141/viewcontent/TenYears_BoundaryObject_av.pdf
_version_ 1787136831033180160