The enablers of the Indian Performing Arts: Government, media, the Indian High Commission, donors and event managers
Arts institutions and artistes thrive in an ecological system of supporters and facilitators. They enable artistes to focus their attention and energy on practice and teaching of the art forms and on creating new productions. They enable institutions to slowly grow and attain self-sustainability in...
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sg-smu-ink.lkcsb_research-63852018-07-13T07:14:41Z The enablers of the Indian Performing Arts: Government, media, the Indian High Commission, donors and event managers VARAPRASAD, Chitra RAJAN, Uma RAJAN, Shankar RAMASWAMI, Seshan Arts institutions and artistes thrive in an ecological system of supporters and facilitators. They enable artistes to focus their attention and energy on practice and teaching of the art forms and on creating new productions. They enable institutions to slowly grow and attain self-sustainability in the long run by subsidising expenses on housing, productions, and fees of visiting artistes. They also provide a platform for students to perform and to improve through competition. Students also benefit from scholarships for advanced study. In this chapter, we describe briefly the roles played by various enablers of Indian performing art forms over the last five decades. Various parts of the Singapore government have been major enablers, helping artistes and arts institutions with grants and housing support, organising competitions (such as the National Music competitions and the Singapore Youth Festival) and funding arts related research and travel. The media (press, radio, television and increasingly online media) is an integral part of the music and dance scene. The High Commission of India has been a significant source of support, throughout the five decades, but especially in the 1970s, as the official representative of the Indian government in Singapore. There are also many individuals and corporate donors who have played a vital role in financing artistic productions. More recently, the Indian performing arts field has been enhanced by the launch of event management companies, which both bring in big productions from overseas, and provide technical and professional support to local organisers of Indian classical music and dance events. 2015-07-01T07:00:00Z text application/pdf https://ink.library.smu.edu.sg/lkcsb_research/5386 https://ink.library.smu.edu.sg/context/lkcsb_research/article/6385/viewcontent/Seshan_Enablers_KalaManjari.pdf http://creativecommons.org/licenses/by-nc-nd/4.0/ Research Collection Lee Kong Chian School Of Business eng Institutional Knowledge at Singapore Management University Indian music Indian dance Government Media Sponsors Event Managers Singapore Asian Studies South and Southeast Asian Languages and Societies Theatre and Performance Studies |
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Indian music Indian dance Government Media Sponsors Event Managers Singapore Asian Studies South and Southeast Asian Languages and Societies Theatre and Performance Studies VARAPRASAD, Chitra RAJAN, Uma RAJAN, Shankar RAMASWAMI, Seshan The enablers of the Indian Performing Arts: Government, media, the Indian High Commission, donors and event managers |
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Arts institutions and artistes thrive in an ecological system of supporters and facilitators. They enable artistes to focus their attention and energy on practice and teaching of the art forms and on creating new productions. They enable institutions to slowly grow and attain self-sustainability in the long run by subsidising expenses on housing, productions, and fees of visiting artistes. They also provide a platform for students to perform and to improve through competition. Students also benefit from scholarships for advanced study. In this chapter, we describe briefly the roles played by various enablers of Indian performing art forms over the last five decades. Various parts of the Singapore government have been major enablers, helping artistes and arts institutions with grants and housing support, organising competitions (such as the National Music competitions and the Singapore Youth Festival) and funding arts related research and travel. The media (press, radio, television and increasingly online media) is an integral part of the music and dance scene. The High Commission of India has been a significant source of support, throughout the five decades, but especially in the 1970s, as the official representative of the Indian government in Singapore. There are also many individuals and corporate donors who have played a vital role in financing artistic productions. More recently, the Indian performing arts field has been enhanced by the launch of event management companies, which both bring in big productions from overseas, and provide technical and professional support to local organisers of Indian classical music and dance events. |
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VARAPRASAD, Chitra RAJAN, Uma RAJAN, Shankar RAMASWAMI, Seshan |
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VARAPRASAD, Chitra RAJAN, Uma RAJAN, Shankar RAMASWAMI, Seshan |
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VARAPRASAD, Chitra |
title |
The enablers of the Indian Performing Arts: Government, media, the Indian High Commission, donors and event managers |
title_short |
The enablers of the Indian Performing Arts: Government, media, the Indian High Commission, donors and event managers |
title_full |
The enablers of the Indian Performing Arts: Government, media, the Indian High Commission, donors and event managers |
title_fullStr |
The enablers of the Indian Performing Arts: Government, media, the Indian High Commission, donors and event managers |
title_full_unstemmed |
The enablers of the Indian Performing Arts: Government, media, the Indian High Commission, donors and event managers |
title_sort |
enablers of the indian performing arts: government, media, the indian high commission, donors and event managers |
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Institutional Knowledge at Singapore Management University |
publishDate |
2015 |
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https://ink.library.smu.edu.sg/lkcsb_research/5386 https://ink.library.smu.edu.sg/context/lkcsb_research/article/6385/viewcontent/Seshan_Enablers_KalaManjari.pdf |
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