Fiction as reality: Chinese youths watching American television

American television fiction is gaining traction among educated urban Chinese youths. Drawing on 29 interviews with fans among college students in Beijing, this article examines a shared perception among these youths that American television is ‘‘real.’’ This perceived realism, which is essential to...

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Main Author: GAO, Yang
Format: text
Language:English
Published: Institutional Knowledge at Singapore Management University 2016
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Online Access:https://ink.library.smu.edu.sg/soss_research/2132
https://ink.library.smu.edu.sg/context/soss_research/article/3389/viewcontent/fiction_as_reality__1_.pdf
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spelling sg-smu-ink.soss_research-33892017-04-10T03:31:05Z Fiction as reality: Chinese youths watching American television GAO, Yang American television fiction is gaining traction among educated urban Chinese youths. Drawing on 29 interviews with fans among college students in Beijing, this article examines a shared perception among these youths that American television is ‘‘real.’’ This perceived realism, which is essential to their viewing pleasure, has two sources: American programming’s textual quality and the Chinese context in which it is consumed. First, US television appeals to Chinese youths because they perceive its topical content and complex characterization as true to life. This perception can be explained by the higher transnational cultural capital of these youths, which renders US programming intellectually more proximate and relevant than domestic programming. Second, the perceived realism must be understood within the socio-cultural context of contemporary urban China. Disillusioned with the largely lackluster domestic television content, and critical of state media regulation and cultural control, Chinese youngsters embrace US television’s relative openness and narrative complexity as more ‘‘real.’’ This study attends to the textual, contextual, as well as emotional aspects of the Chinese fascination with American television. It contributes to the literature on cross-cultural media consumption by demonstrating how perceived realism is both organized by media texts and shaped by consumption contexts. 2016-02-01T08:00:00Z text application/pdf https://ink.library.smu.edu.sg/soss_research/2132 info:doi/10.1016/j.poetic.2015.08.005 https://ink.library.smu.edu.sg/context/soss_research/article/3389/viewcontent/fiction_as_reality__1_.pdf http://creativecommons.org/licenses/by-nc-nd/4.0/ Research Collection School of Social Sciences eng Institutional Knowledge at Singapore Management University Cross-cultural media consumption Perceived realism Cultural proximity China Youths Television Film and Media Studies Sociology of Culture
institution Singapore Management University
building SMU Libraries
continent Asia
country Singapore
Singapore
content_provider SMU Libraries
collection InK@SMU
language English
topic Cross-cultural media consumption
Perceived realism
Cultural proximity
China
Youths
Television
Film and Media Studies
Sociology of Culture
spellingShingle Cross-cultural media consumption
Perceived realism
Cultural proximity
China
Youths
Television
Film and Media Studies
Sociology of Culture
GAO, Yang
Fiction as reality: Chinese youths watching American television
description American television fiction is gaining traction among educated urban Chinese youths. Drawing on 29 interviews with fans among college students in Beijing, this article examines a shared perception among these youths that American television is ‘‘real.’’ This perceived realism, which is essential to their viewing pleasure, has two sources: American programming’s textual quality and the Chinese context in which it is consumed. First, US television appeals to Chinese youths because they perceive its topical content and complex characterization as true to life. This perception can be explained by the higher transnational cultural capital of these youths, which renders US programming intellectually more proximate and relevant than domestic programming. Second, the perceived realism must be understood within the socio-cultural context of contemporary urban China. Disillusioned with the largely lackluster domestic television content, and critical of state media regulation and cultural control, Chinese youngsters embrace US television’s relative openness and narrative complexity as more ‘‘real.’’ This study attends to the textual, contextual, as well as emotional aspects of the Chinese fascination with American television. It contributes to the literature on cross-cultural media consumption by demonstrating how perceived realism is both organized by media texts and shaped by consumption contexts.
format text
author GAO, Yang
author_facet GAO, Yang
author_sort GAO, Yang
title Fiction as reality: Chinese youths watching American television
title_short Fiction as reality: Chinese youths watching American television
title_full Fiction as reality: Chinese youths watching American television
title_fullStr Fiction as reality: Chinese youths watching American television
title_full_unstemmed Fiction as reality: Chinese youths watching American television
title_sort fiction as reality: chinese youths watching american television
publisher Institutional Knowledge at Singapore Management University
publishDate 2016
url https://ink.library.smu.edu.sg/soss_research/2132
https://ink.library.smu.edu.sg/context/soss_research/article/3389/viewcontent/fiction_as_reality__1_.pdf
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