Civil religion and the invention of traditions: Constructing 'the Singapore nation'
In this article, I adopt the concept of civil religion, and particularly those aspects that emphasize the importance of rituals and traditions in the construction of a ‘nation’, to examine the ways in which a particular nation—Singapore—is politically and socially constructed. Using two specific exam...
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sg-smu-ink.soss_research-34982017-08-16T03:24:12Z Civil religion and the invention of traditions: Constructing 'the Singapore nation' KONG, Lily In this article, I adopt the concept of civil religion, and particularly those aspects that emphasize the importance of rituals and traditions in the construction of a ‘nation’, to examine the ways in which a particular nation—Singapore—is politically and socially constructed. Using two specific examples of invented rituals and traditions, I illustrate the ways in which the state attempts to build a sense of community and identity. The two examples I use are an annual choreography of spectacle and display to celebrate Singapore’s National Day, and the production of a tapestry currently on exhibition as a very public symbol of community and belonging. 2007-01-01T08:00:00Z text https://ink.library.smu.edu.sg/soss_research/2241 info:doi/10.1558/arsr.v20i1.77 Research Collection School of Social Sciences eng Institutional Knowledge at Singapore Management University Asian Studies Religion Sociology of Culture |
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Asian Studies Religion Sociology of Culture KONG, Lily Civil religion and the invention of traditions: Constructing 'the Singapore nation' |
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In this article, I adopt the concept of civil religion, and particularly those aspects that emphasize the importance of rituals and traditions in the construction of a ‘nation’, to examine the ways in which a particular nation—Singapore—is politically and socially constructed. Using two specific examples of invented rituals and traditions, I illustrate the ways in which the state attempts to build a sense of community and identity. The two examples I use are an annual choreography of spectacle and display to celebrate Singapore’s National Day, and the production of a tapestry currently on exhibition as a very public symbol of community and belonging. |
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KONG, Lily |
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KONG, Lily |
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KONG, Lily |
title |
Civil religion and the invention of traditions: Constructing 'the Singapore nation' |
title_short |
Civil religion and the invention of traditions: Constructing 'the Singapore nation' |
title_full |
Civil religion and the invention of traditions: Constructing 'the Singapore nation' |
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Civil religion and the invention of traditions: Constructing 'the Singapore nation' |
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Civil religion and the invention of traditions: Constructing 'the Singapore nation' |
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civil religion and the invention of traditions: constructing 'the singapore nation' |
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Institutional Knowledge at Singapore Management University |
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2007 |
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https://ink.library.smu.edu.sg/soss_research/2241 |
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