Restoration of an ancestral temple in Guangzhou, China: re-imagining history and traditions through devotion to art and creation

Rapid modernization has brought about massive changes in the urban and rural landscapes of China.While many old places and ancient buildings have been pulled down and replaced with more modernalternatives, others have been protected and restored. These include ancient ancestral temples, animportant...

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Main Authors: MA, Ling, WOODS, Orlando, HONG, Zhu
Format: text
Language:English
Published: Institutional Knowledge at Singapore Management University 2018
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Online Access:https://ink.library.smu.edu.sg/soss_research/2676
https://ink.library.smu.edu.sg/context/soss_research/article/3933/viewcontent/Restoration_of_an_ancestral_temple_in_Guangzhou__China__re_imagining_history_and_traditions_through_devotion_to_art_and_creation.pdf
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spelling sg-smu-ink.soss_research-39332018-09-06T05:13:31Z Restoration of an ancestral temple in Guangzhou, China: re-imagining history and traditions through devotion to art and creation MA, Ling WOODS, Orlando HONG, Zhu Rapid modernization has brought about massive changes in the urban and rural landscapes of China.While many old places and ancient buildings have been pulled down and replaced with more modernalternatives, others have been protected and restored. These include ancient ancestral temples, animportant cultural space in China. Previous research has shown how different level governmentsand rural communities work together to restore ancient temples, but didn’t bring to light artisticand non-government financed and patronized cases of restoration projects. This article adoptsa bottom-up perspective to examine a case in Guangzhou how an individual artist transforms anancient ancestral temple into a new cultural space. Through an ethnographic-style exploration of thepractice of restoration, we unfold the interconnections between an individual’s social memory of thepast, their love of place, and their enthusiasm for restoration work. Differing from the government’s‘standardized’ and functionalist restoration of ancestral temples, this case study shows an individual’semotional and material devotion to transforming a neglected ancestral temple into an eclectic culturalspace where the art works are a result of freedom of creative expression. 2018-08-01T07:00:00Z text application/pdf https://ink.library.smu.edu.sg/soss_research/2676 info:doi/10.1177/1474474018796649 https://ink.library.smu.edu.sg/context/soss_research/article/3933/viewcontent/Restoration_of_an_ancestral_temple_in_Guangzhou__China__re_imagining_history_and_traditions_through_devotion_to_art_and_creation.pdf http://creativecommons.org/licenses/by-nc-nd/4.0/ Research Collection School of Social Sciences eng Institutional Knowledge at Singapore Management University ancestral temple restoration devotion social memory Guangzhou Asian Studies Religion
institution Singapore Management University
building SMU Libraries
continent Asia
country Singapore
Singapore
content_provider SMU Libraries
collection InK@SMU
language English
topic ancestral temple
restoration
devotion
social memory
Guangzhou
Asian Studies
Religion
spellingShingle ancestral temple
restoration
devotion
social memory
Guangzhou
Asian Studies
Religion
MA, Ling
WOODS, Orlando
HONG, Zhu
Restoration of an ancestral temple in Guangzhou, China: re-imagining history and traditions through devotion to art and creation
description Rapid modernization has brought about massive changes in the urban and rural landscapes of China.While many old places and ancient buildings have been pulled down and replaced with more modernalternatives, others have been protected and restored. These include ancient ancestral temples, animportant cultural space in China. Previous research has shown how different level governmentsand rural communities work together to restore ancient temples, but didn’t bring to light artisticand non-government financed and patronized cases of restoration projects. This article adoptsa bottom-up perspective to examine a case in Guangzhou how an individual artist transforms anancient ancestral temple into a new cultural space. Through an ethnographic-style exploration of thepractice of restoration, we unfold the interconnections between an individual’s social memory of thepast, their love of place, and their enthusiasm for restoration work. Differing from the government’s‘standardized’ and functionalist restoration of ancestral temples, this case study shows an individual’semotional and material devotion to transforming a neglected ancestral temple into an eclectic culturalspace where the art works are a result of freedom of creative expression.
format text
author MA, Ling
WOODS, Orlando
HONG, Zhu
author_facet MA, Ling
WOODS, Orlando
HONG, Zhu
author_sort MA, Ling
title Restoration of an ancestral temple in Guangzhou, China: re-imagining history and traditions through devotion to art and creation
title_short Restoration of an ancestral temple in Guangzhou, China: re-imagining history and traditions through devotion to art and creation
title_full Restoration of an ancestral temple in Guangzhou, China: re-imagining history and traditions through devotion to art and creation
title_fullStr Restoration of an ancestral temple in Guangzhou, China: re-imagining history and traditions through devotion to art and creation
title_full_unstemmed Restoration of an ancestral temple in Guangzhou, China: re-imagining history and traditions through devotion to art and creation
title_sort restoration of an ancestral temple in guangzhou, china: re-imagining history and traditions through devotion to art and creation
publisher Institutional Knowledge at Singapore Management University
publishDate 2018
url https://ink.library.smu.edu.sg/soss_research/2676
https://ink.library.smu.edu.sg/context/soss_research/article/3933/viewcontent/Restoration_of_an_ancestral_temple_in_Guangzhou__China__re_imagining_history_and_traditions_through_devotion_to_art_and_creation.pdf
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