Questioning proximity: East Asian TV Dramas in Indonesia

The study of transnational cultural flows has been of continuing interest among media and communication researchers, with recent studies focusing on cultural flows within geographically and culturally adjacent nations. It is often suggested that the level of “cultural proximity” that exists determin...

Full description

Saved in:
Bibliographic Details
Main Author: SETIJADI, Charlotte
Format: text
Language:English
Published: Institutional Knowledge at Singapore Management University 2005
Subjects:
Online Access:https://ink.library.smu.edu.sg/soss_research/2785
https://ink.library.smu.edu.sg/context/soss_research/article/4042/viewcontent/Questioning_Proximity.pdf
Tags: Add Tag
No Tags, Be the first to tag this record!
Institution: Singapore Management University
Language: English
id sg-smu-ink.soss_research-4042
record_format dspace
spelling sg-smu-ink.soss_research-40422019-02-27T06:27:21Z Questioning proximity: East Asian TV Dramas in Indonesia SETIJADI, Charlotte The study of transnational cultural flows has been of continuing interest among media and communication researchers, with recent studies focusing on cultural flows within geographically and culturally adjacent nations. It is often suggested that the level of “cultural proximity” that exists determines the success of cultural exchange between countries regarded to possess similar cultural traits. This notion, that local audiences will have preference for cultural commodities from countries with which they share cultural ties in recognition of their own culture, has enjoyed much intellectual currency in recent times, especially in relation to analyses of regional media markets. The danger of using the cultural proximity thesis lies in the fact that, if cultural ‘resemblance’ is regarded to be the sole determinant of a foreign cultural commodity’s local acceptance without taking into consideration specific social and historical circumstances, what results may be an essentialist and shallow analysis. Based on a six-month interview-based study of East Asian TV drama fans in Indonesia, this paper critically examines the use of the cultural proximity model in determining the reasons behind successful local acceptance of imported cultural commodities. The paper proposes that in-depth audience research will need to be conducted in order to understand the sorts of resonances local audiences experience when consuming transnational cultural commodities. 2005-01-12T08:00:00Z text application/pdf https://ink.library.smu.edu.sg/soss_research/2785 info:doi/10.1080/01296612.2005.11726797 https://ink.library.smu.edu.sg/context/soss_research/article/4042/viewcontent/Questioning_Proximity.pdf http://creativecommons.org/licenses/by-nc-nd/4.0/ Research Collection School of Social Sciences eng Institutional Knowledge at Singapore Management University Pop culture Indonesia K-pop Media Cultural proximity Asian Studies Film and Media Studies
institution Singapore Management University
building SMU Libraries
continent Asia
country Singapore
Singapore
content_provider SMU Libraries
collection InK@SMU
language English
topic Pop culture
Indonesia
K-pop
Media
Cultural proximity
Asian Studies
Film and Media Studies
spellingShingle Pop culture
Indonesia
K-pop
Media
Cultural proximity
Asian Studies
Film and Media Studies
SETIJADI, Charlotte
Questioning proximity: East Asian TV Dramas in Indonesia
description The study of transnational cultural flows has been of continuing interest among media and communication researchers, with recent studies focusing on cultural flows within geographically and culturally adjacent nations. It is often suggested that the level of “cultural proximity” that exists determines the success of cultural exchange between countries regarded to possess similar cultural traits. This notion, that local audiences will have preference for cultural commodities from countries with which they share cultural ties in recognition of their own culture, has enjoyed much intellectual currency in recent times, especially in relation to analyses of regional media markets. The danger of using the cultural proximity thesis lies in the fact that, if cultural ‘resemblance’ is regarded to be the sole determinant of a foreign cultural commodity’s local acceptance without taking into consideration specific social and historical circumstances, what results may be an essentialist and shallow analysis. Based on a six-month interview-based study of East Asian TV drama fans in Indonesia, this paper critically examines the use of the cultural proximity model in determining the reasons behind successful local acceptance of imported cultural commodities. The paper proposes that in-depth audience research will need to be conducted in order to understand the sorts of resonances local audiences experience when consuming transnational cultural commodities.
format text
author SETIJADI, Charlotte
author_facet SETIJADI, Charlotte
author_sort SETIJADI, Charlotte
title Questioning proximity: East Asian TV Dramas in Indonesia
title_short Questioning proximity: East Asian TV Dramas in Indonesia
title_full Questioning proximity: East Asian TV Dramas in Indonesia
title_fullStr Questioning proximity: East Asian TV Dramas in Indonesia
title_full_unstemmed Questioning proximity: East Asian TV Dramas in Indonesia
title_sort questioning proximity: east asian tv dramas in indonesia
publisher Institutional Knowledge at Singapore Management University
publishDate 2005
url https://ink.library.smu.edu.sg/soss_research/2785
https://ink.library.smu.edu.sg/context/soss_research/article/4042/viewcontent/Questioning_Proximity.pdf
_version_ 1770574525644144640