Whose blue heaven? Musicality in the early Japanese talkies
This article focuses on the advent of synchronized sound production in Japan in 1931 – three years later than the United States – and the generative ambiguities of how sound and music’s relationship to film was figured in that year’s anxious discourse. I argue that this ‘belatedness’ is echoed in re...
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| 格式: | text |
| 語言: | English |
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Institutional Knowledge at Singapore Management University
2018
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| 在線閱讀: | https://ink.library.smu.edu.sg/soss_research/3127 https://ink.library.smu.edu.sg/context/soss_research/article/4384/viewcontent/Whose_Blue_Heaven___PV.pdf |
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