The Substation: How many more canaries in the coal mine?
Since 1990, The Substation has been the sole occupant of the conserved building at 45 Armenian Street. Over the years, it has transformed the once-abandoned power station into Singapore’s first artist-led multi-disciplinary arts centre. However, in February 2021, The Substation was officially asked...
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sg-smu-ink.soss_research-47002021-11-10T04:19:29Z The Substation: How many more canaries in the coal mine? HOE, Su Fern Since 1990, The Substation has been the sole occupant of the conserved building at 45 Armenian Street. Over the years, it has transformed the once-abandoned power station into Singapore’s first artist-led multi-disciplinary arts centre. However, in February 2021, The Substation was officially asked to vacate the building. Although the current situation facing The Substation is not new or unique, its impending fate is emblematic of, and raises deep questions about the progressively precarious and capricious conditions of arts practice in Singapore. This editorial highlights four underlying problems that we should be concerned with. 2021-02-01T08:00:00Z text application/pdf https://ink.library.smu.edu.sg/soss_research/3443 https://ink.library.smu.edu.sg/context/soss_research/article/4700/viewcontent/The_Substation.pdf http://creativecommons.org/licenses/by-nc-nd/4.0/ Research Collection School of Social Sciences eng Institutional Knowledge at Singapore Management University placemaking cultural policy arts spaces singapore substation Arts and Humanities Asian Studies |
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placemaking cultural policy arts spaces singapore substation Arts and Humanities Asian Studies HOE, Su Fern The Substation: How many more canaries in the coal mine? |
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Since 1990, The Substation has been the sole occupant of the conserved building at 45 Armenian Street. Over the years, it has transformed the once-abandoned power station into Singapore’s first artist-led multi-disciplinary arts centre. However, in February 2021, The Substation was officially asked to vacate the building. Although the current situation facing The Substation is not new or unique, its impending fate is emblematic of, and raises deep questions about the progressively precarious and capricious conditions of arts practice in Singapore. This editorial highlights four underlying problems that we should be concerned with. |
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text |
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HOE, Su Fern |
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HOE, Su Fern |
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HOE, Su Fern |
title |
The Substation: How many more canaries in the coal mine? |
title_short |
The Substation: How many more canaries in the coal mine? |
title_full |
The Substation: How many more canaries in the coal mine? |
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The Substation: How many more canaries in the coal mine? |
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The Substation: How many more canaries in the coal mine? |
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substation: how many more canaries in the coal mine? |
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Institutional Knowledge at Singapore Management University |
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2021 |
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https://ink.library.smu.edu.sg/soss_research/3443 https://ink.library.smu.edu.sg/context/soss_research/article/4700/viewcontent/The_Substation.pdf |
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