Cultural inclusivity and student Shakespeare performances in late-colonial Singapore, 1950-59

How did students in colonial schools engage with Shakespeare? How can Shakespeare education facilitate the emergence of a new national culture? This article explores these questions by analysing student performances in 1950s Singapore, then a British colony preparing for self-governance with a multi...

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Main Author: SOON, Emily
Format: text
Language:English
Published: Institutional Knowledge at Singapore Management University 2021
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Online Access:https://ink.library.smu.edu.sg/soss_research/3450
https://doi.org/10.1017/9781009036795.012
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Institution: Singapore Management University
Language: English
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spelling sg-smu-ink.soss_research-47072021-11-25T01:05:29Z Cultural inclusivity and student Shakespeare performances in late-colonial Singapore, 1950-59 SOON, Emily How did students in colonial schools engage with Shakespeare? How can Shakespeare education facilitate the emergence of a new national culture? This article explores these questions by analysing student performances in 1950s Singapore, then a British colony preparing for self-governance with a multicultural population drawn from diverse parts of Asia. 2021-08-01T07:00:00Z text https://ink.library.smu.edu.sg/soss_research/3450 info:doi/10.1017/9781009036795.012 https://doi.org/10.1017/9781009036795.012 Research Collection School of Social Sciences eng Institutional Knowledge at Singapore Management University student performances Singapore Shakespeare national culture Asian Studies Theatre and Performance Studies
institution Singapore Management University
building SMU Libraries
continent Asia
country Singapore
Singapore
content_provider SMU Libraries
collection InK@SMU
language English
topic student performances
Singapore
Shakespeare
national culture
Asian Studies
Theatre and Performance Studies
spellingShingle student performances
Singapore
Shakespeare
national culture
Asian Studies
Theatre and Performance Studies
SOON, Emily
Cultural inclusivity and student Shakespeare performances in late-colonial Singapore, 1950-59
description How did students in colonial schools engage with Shakespeare? How can Shakespeare education facilitate the emergence of a new national culture? This article explores these questions by analysing student performances in 1950s Singapore, then a British colony preparing for self-governance with a multicultural population drawn from diverse parts of Asia.
format text
author SOON, Emily
author_facet SOON, Emily
author_sort SOON, Emily
title Cultural inclusivity and student Shakespeare performances in late-colonial Singapore, 1950-59
title_short Cultural inclusivity and student Shakespeare performances in late-colonial Singapore, 1950-59
title_full Cultural inclusivity and student Shakespeare performances in late-colonial Singapore, 1950-59
title_fullStr Cultural inclusivity and student Shakespeare performances in late-colonial Singapore, 1950-59
title_full_unstemmed Cultural inclusivity and student Shakespeare performances in late-colonial Singapore, 1950-59
title_sort cultural inclusivity and student shakespeare performances in late-colonial singapore, 1950-59
publisher Institutional Knowledge at Singapore Management University
publishDate 2021
url https://ink.library.smu.edu.sg/soss_research/3450
https://doi.org/10.1017/9781009036795.012
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