Ideas for the intellect and emotions for the heart: The literary dimensions of Tocqueville’s Democracy in America
Alexis de Tocqueville’s lifelong friend and companion Gustave de Beaumont produced a literary work based on their visit to the United States. Beaumont’s 1835 novel Marie, ou l’Esclavage aux Etats Unis, explored themes of race, manners, and equality in American society. Although Democracy in America...
Saved in:
Main Author: | |
---|---|
Format: | text |
Language: | English |
Published: |
Institutional Knowledge at Singapore Management University
2022
|
Subjects: | |
Online Access: | https://ink.library.smu.edu.sg/soss_research/3586 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Institution: | Singapore Management University |
Language: | English |
id |
sg-smu-ink.soss_research-4844 |
---|---|
record_format |
dspace |
spelling |
sg-smu-ink.soss_research-48442022-04-14T06:42:03Z Ideas for the intellect and emotions for the heart: The literary dimensions of Tocqueville’s Democracy in America HENDERSON, Christine Rodman Alexis de Tocqueville’s lifelong friend and companion Gustave de Beaumont produced a literary work based on their visit to the United States. Beaumont’s 1835 novel Marie, ou l’Esclavage aux Etats Unis, explored themes of race, manners, and equality in American society. Although Democracy in America is not a work of literature per se, it does contain a remarkable number of literary vignettes that give the work a distinctively literary quality. As Christine Dunn Henderson argues in this chapter, Tocqueville’s literary portraiture is a consistent rhetorical device throughout the book. His recourse to literary vignettes as a way of illustrating dimensions of race, religion, and American manners demonstrates the evocative power of literature to convey moral lessons by appealing to emotions rather than reason. In this regard, Tocqueville’s rhetorical strategy of sympathy and imaginative identification is reminiscent of Adam Smith’s use of vignettes in The Theory of Moral Sentiments. 2022-03-01T08:00:00Z text https://ink.library.smu.edu.sg/soss_research/3586 info:doi/10.1017/9781316995761.011 Research Collection School of Social Sciences eng Institutional Knowledge at Singapore Management University Gustave de Beaumont Marie ou l’Esclavage aux Etats Unis politics and literature race gender Native Americans religion American frontier Adam Smith imaginative identification Philosophy |
institution |
Singapore Management University |
building |
SMU Libraries |
continent |
Asia |
country |
Singapore Singapore |
content_provider |
SMU Libraries |
collection |
InK@SMU |
language |
English |
topic |
Gustave de Beaumont Marie ou l’Esclavage aux Etats Unis politics and literature race gender Native Americans religion American frontier Adam Smith imaginative identification Philosophy |
spellingShingle |
Gustave de Beaumont Marie ou l’Esclavage aux Etats Unis politics and literature race gender Native Americans religion American frontier Adam Smith imaginative identification Philosophy HENDERSON, Christine Rodman Ideas for the intellect and emotions for the heart: The literary dimensions of Tocqueville’s Democracy in America |
description |
Alexis de Tocqueville’s lifelong friend and companion Gustave de Beaumont produced a literary work based on their visit to the United States. Beaumont’s 1835 novel Marie, ou l’Esclavage aux Etats Unis, explored themes of race, manners, and equality in American society. Although Democracy in America is not a work of literature per se, it does contain a remarkable number of literary vignettes that give the work a distinctively literary quality. As Christine Dunn Henderson argues in this chapter, Tocqueville’s literary portraiture is a consistent rhetorical device throughout the book. His recourse to literary vignettes as a way of illustrating dimensions of race, religion, and American manners demonstrates the evocative power of literature to convey moral lessons by appealing to emotions rather than reason. In this regard, Tocqueville’s rhetorical strategy of sympathy and imaginative identification is reminiscent of Adam Smith’s use of vignettes in The Theory of Moral Sentiments. |
format |
text |
author |
HENDERSON, Christine Rodman |
author_facet |
HENDERSON, Christine Rodman |
author_sort |
HENDERSON, Christine Rodman |
title |
Ideas for the intellect and emotions for the heart: The literary dimensions of Tocqueville’s Democracy in America |
title_short |
Ideas for the intellect and emotions for the heart: The literary dimensions of Tocqueville’s Democracy in America |
title_full |
Ideas for the intellect and emotions for the heart: The literary dimensions of Tocqueville’s Democracy in America |
title_fullStr |
Ideas for the intellect and emotions for the heart: The literary dimensions of Tocqueville’s Democracy in America |
title_full_unstemmed |
Ideas for the intellect and emotions for the heart: The literary dimensions of Tocqueville’s Democracy in America |
title_sort |
ideas for the intellect and emotions for the heart: the literary dimensions of tocqueville’s democracy in america |
publisher |
Institutional Knowledge at Singapore Management University |
publishDate |
2022 |
url |
https://ink.library.smu.edu.sg/soss_research/3586 |
_version_ |
1770576222955241472 |