Exhibiting transnationalism after Vietnam: The Alpha Gallery in pursuit of an authentic Southeast Asian art form

This essay examines how the Alpha Gallery, an independent artists cooperative established by Malaysians and Singaporeans, curated and staged art shows in the 1970s that advanced its project to unearth and promote an intrinsically Southeast Asian aesthetic. The cooperative pursuit a transnational vis...

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Main Author: NGOEI, Wen-Qing (WEI Wenqing)
Format: text
Language:English
Published: Institutional Knowledge at Singapore Management University 2022
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Online Access:https://ink.library.smu.edu.sg/soss_research/3643
https://ink.library.smu.edu.sg/context/soss_research/article/4901/viewcontent/Ngoei_Exhibiting_Transnationalism_after_Vietnam__JAEAR__Sep_2022_.pdf
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spelling sg-smu-ink.soss_research-49012022-09-29T03:51:19Z Exhibiting transnationalism after Vietnam: The Alpha Gallery in pursuit of an authentic Southeast Asian art form NGOEI, Wen-Qing (WEI Wenqing) This essay examines how the Alpha Gallery, an independent artists cooperative established by Malaysians and Singaporeans, curated and staged art shows in the 1970s that advanced its project to unearth and promote an intrinsically Southeast Asian aesthetic. The cooperative pursuit a transnational vision of inter-regional connections between the Bengali Art Renaissance of the early twentieth century and Balinese folk art. It also harbored ambitions of sparking a cultural renaissance in Southeast Asia, though these were ultimately unfulfilled. Importantly, as this essay shows, the cooperative’s transnational vision mirrored the racist thinking and paternalism of Euro-American colonial discourses about civilizing the region’s indigenous peoples. These colonial discourses persisted in large part because Southeast Asian states such as Malaysia and Singapore transitioned smoothly from a European-dominated colonial order to informal U.S. empire. This process, facilitated by the decisions of west-friendly regional elites to align with the United States during the Vietnam War, also meant the Alpha Gallery’s key members derived much of their worldview from institutions and thinkers in Britain and the United States, thereby reinvigorating old colonial mindsets. The civilizing mission sprung from such colonial discourses likely inspired the cooperative’s transnational vision in the first place. 2022-09-01T07:00:00Z text application/pdf https://ink.library.smu.edu.sg/soss_research/3643 info:doi/10.1163/18765610-29030004 https://ink.library.smu.edu.sg/context/soss_research/article/4901/viewcontent/Ngoei_Exhibiting_Transnationalism_after_Vietnam__JAEAR__Sep_2022_.pdf http://creativecommons.org/licenses/by-nc-nd/4.0/ Research Collection School of Social Sciences eng Institutional Knowledge at Singapore Management University Vietnam War Southeast Asia regionalism culture colonialism U.S. empire Asian Studies Civic and Community Engagement Fine Arts South and Southeast Asian Languages and Societies
institution Singapore Management University
building SMU Libraries
continent Asia
country Singapore
Singapore
content_provider SMU Libraries
collection InK@SMU
language English
topic Vietnam War
Southeast Asia
regionalism
culture
colonialism
U.S. empire
Asian Studies
Civic and Community Engagement
Fine Arts
South and Southeast Asian Languages and Societies
spellingShingle Vietnam War
Southeast Asia
regionalism
culture
colonialism
U.S. empire
Asian Studies
Civic and Community Engagement
Fine Arts
South and Southeast Asian Languages and Societies
NGOEI, Wen-Qing (WEI Wenqing)
Exhibiting transnationalism after Vietnam: The Alpha Gallery in pursuit of an authentic Southeast Asian art form
description This essay examines how the Alpha Gallery, an independent artists cooperative established by Malaysians and Singaporeans, curated and staged art shows in the 1970s that advanced its project to unearth and promote an intrinsically Southeast Asian aesthetic. The cooperative pursuit a transnational vision of inter-regional connections between the Bengali Art Renaissance of the early twentieth century and Balinese folk art. It also harbored ambitions of sparking a cultural renaissance in Southeast Asia, though these were ultimately unfulfilled. Importantly, as this essay shows, the cooperative’s transnational vision mirrored the racist thinking and paternalism of Euro-American colonial discourses about civilizing the region’s indigenous peoples. These colonial discourses persisted in large part because Southeast Asian states such as Malaysia and Singapore transitioned smoothly from a European-dominated colonial order to informal U.S. empire. This process, facilitated by the decisions of west-friendly regional elites to align with the United States during the Vietnam War, also meant the Alpha Gallery’s key members derived much of their worldview from institutions and thinkers in Britain and the United States, thereby reinvigorating old colonial mindsets. The civilizing mission sprung from such colonial discourses likely inspired the cooperative’s transnational vision in the first place.
format text
author NGOEI, Wen-Qing (WEI Wenqing)
author_facet NGOEI, Wen-Qing (WEI Wenqing)
author_sort NGOEI, Wen-Qing (WEI Wenqing)
title Exhibiting transnationalism after Vietnam: The Alpha Gallery in pursuit of an authentic Southeast Asian art form
title_short Exhibiting transnationalism after Vietnam: The Alpha Gallery in pursuit of an authentic Southeast Asian art form
title_full Exhibiting transnationalism after Vietnam: The Alpha Gallery in pursuit of an authentic Southeast Asian art form
title_fullStr Exhibiting transnationalism after Vietnam: The Alpha Gallery in pursuit of an authentic Southeast Asian art form
title_full_unstemmed Exhibiting transnationalism after Vietnam: The Alpha Gallery in pursuit of an authentic Southeast Asian art form
title_sort exhibiting transnationalism after vietnam: the alpha gallery in pursuit of an authentic southeast asian art form
publisher Institutional Knowledge at Singapore Management University
publishDate 2022
url https://ink.library.smu.edu.sg/soss_research/3643
https://ink.library.smu.edu.sg/context/soss_research/article/4901/viewcontent/Ngoei_Exhibiting_Transnationalism_after_Vietnam__JAEAR__Sep_2022_.pdf
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