At the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service
© 2018 Informa UK Limited, trading as Taylor & Francis Group. Certain repeated moral narratives support justifications for humanitarian interventions, and simultaneously inform perspectives of ‘the figure of the refugee’. How does ‘the humanitarian’ appear in these narratives? How are the char...
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th-cmuir.6653943832-484092018-04-25T10:12:01Z At the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service Matthew Yoxall © 2018 Informa UK Limited, trading as Taylor & Francis Group. Certain repeated moral narratives support justifications for humanitarian interventions, and simultaneously inform perspectives of ‘the figure of the refugee’. How does ‘the humanitarian’ appear in these narratives? How are the characters of ‘the refugee’ and ‘the humanitarian’ constructed in relation to one another? How does their interlinkage potentially affect refugees’ agency to act, within a neo-liberal and universalist trope of geo-political expansion? In this article, I respond to these questions and describe a theatricality of humanitarian action. I do so by drawing on experiences as a theatre-maker working in a refugee resettlement programme in Thailand, in 2007–2008. 2018-04-25T10:12:01Z 2018-04-25T10:12:01Z 2018-04-03 Journal 1470112X 13569783 2-s2.0-85045287790 10.1080/13569783.2018.1438179 https://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=85045287790&origin=inward http://cmuir.cmu.ac.th/jspui/handle/6653943832/48409 |
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© 2018 Informa UK Limited, trading as Taylor & Francis Group. Certain repeated moral narratives support justifications for humanitarian interventions, and simultaneously inform perspectives of ‘the figure of the refugee’. How does ‘the humanitarian’ appear in these narratives? How are the characters of ‘the refugee’ and ‘the humanitarian’ constructed in relation to one another? How does their interlinkage potentially affect refugees’ agency to act, within a neo-liberal and universalist trope of geo-political expansion? In this article, I respond to these questions and describe a theatricality of humanitarian action. I do so by drawing on experiences as a theatre-maker working in a refugee resettlement programme in Thailand, in 2007–2008. |
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Matthew Yoxall |
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Matthew Yoxall At the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service |
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Matthew Yoxall |
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Matthew Yoxall |
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At the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service |
title_short |
At the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service |
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At the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service |
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At the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service |
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At the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service |
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at the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service |
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2018 |
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https://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=85045287790&origin=inward http://cmuir.cmu.ac.th/jspui/handle/6653943832/48409 |
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