At the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service

© 2018 Informa UK Limited, trading as Taylor & Francis Group. Certain repeated moral narratives support justifications for humanitarian interventions, and simultaneously inform perspectives of ‘the figure of the refugee’. How does ‘the humanitarian’ appear in these narratives? How are the char...

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Main Author: Matthew Yoxall
Format: Journal
Published: 2018
Online Access:https://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=85045287790&origin=inward
http://cmuir.cmu.ac.th/jspui/handle/6653943832/48409
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Institution: Chiang Mai University
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spelling th-cmuir.6653943832-484092018-04-25T10:12:01Z At the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service Matthew Yoxall © 2018 Informa UK Limited, trading as Taylor & Francis Group. Certain repeated moral narratives support justifications for humanitarian interventions, and simultaneously inform perspectives of ‘the figure of the refugee’. How does ‘the humanitarian’ appear in these narratives? How are the characters of ‘the refugee’ and ‘the humanitarian’ constructed in relation to one another? How does their interlinkage potentially affect refugees’ agency to act, within a neo-liberal and universalist trope of geo-political expansion? In this article, I respond to these questions and describe a theatricality of humanitarian action. I do so by drawing on experiences as a theatre-maker working in a refugee resettlement programme in Thailand, in 2007–2008. 2018-04-25T10:12:01Z 2018-04-25T10:12:01Z 2018-04-03 Journal 1470112X 13569783 2-s2.0-85045287790 10.1080/13569783.2018.1438179 https://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=85045287790&origin=inward http://cmuir.cmu.ac.th/jspui/handle/6653943832/48409
institution Chiang Mai University
building Chiang Mai University Library
country Thailand
collection CMU Intellectual Repository
description © 2018 Informa UK Limited, trading as Taylor & Francis Group. Certain repeated moral narratives support justifications for humanitarian interventions, and simultaneously inform perspectives of ‘the figure of the refugee’. How does ‘the humanitarian’ appear in these narratives? How are the characters of ‘the refugee’ and ‘the humanitarian’ constructed in relation to one another? How does their interlinkage potentially affect refugees’ agency to act, within a neo-liberal and universalist trope of geo-political expansion? In this article, I respond to these questions and describe a theatricality of humanitarian action. I do so by drawing on experiences as a theatre-maker working in a refugee resettlement programme in Thailand, in 2007–2008.
format Journal
author Matthew Yoxall
spellingShingle Matthew Yoxall
At the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service
author_facet Matthew Yoxall
author_sort Matthew Yoxall
title At the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service
title_short At the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service
title_full At the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service
title_fullStr At the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service
title_full_unstemmed At the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service
title_sort at the ‘frontiers’ of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service
publishDate 2018
url https://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=85045287790&origin=inward
http://cmuir.cmu.ac.th/jspui/handle/6653943832/48409
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