TRADISI ETNIK BATAK DALAM KARYA SENI RUPA KONTEMPORER

Sem C. Bangun. Tradition of Batak Ethnic in Contemporary Art Works (2001). <br /> Final Project. Bandung: Study Program of Pure Art of Post-graduate of FSRD of <br /> Institut Teknologi Bandung. <br /> The traditional visual art of Batak is a heritage of Indonesia art-culture...

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Main Author: C. BANGUN, SEM
Format: Theses
Language:Indonesia
Online Access:https://digilib.itb.ac.id/gdl/view/1767
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Institution: Institut Teknologi Bandung
Language: Indonesia
id id-itb.:1767
spelling id-itb.:17672004-04-15T09:27:35ZTRADISI ETNIK BATAK DALAM KARYA SENI RUPA KONTEMPORER C. BANGUN, SEM Indonesia Theses INSTITUT TEKNOLOGI BANDUNG https://digilib.itb.ac.id/gdl/view/1767 Sem C. Bangun. Tradition of Batak Ethnic in Contemporary Art Works (2001). <br /> Final Project. Bandung: Study Program of Pure Art of Post-graduate of FSRD of <br /> Institut Teknologi Bandung. <br /> The traditional visual art of Batak is a heritage of Indonesia art-culture that does <br /> not know the differences betweenn craft and pure art. Whereas, the contemporary <br /> art is one that. Whereas, the contemporary art is an art that pluralistic in its nature <br /> and conceptual, that opened widely for every possibility of creative. <br /> In forming the concept of . creative vision, it has used descriptive method and <br /> action study to generate the works contemporary arts. The examinations indicate <br /> the Batak Ethnic has three principles of aesthetic; they are rumbang (correspond), <br /> metunggung (appropriate), and mehaga (glorious and charismathic). <br /> The concept of creative vision has found is "vision of independemsm", it is a <br /> creativity concept that stressed on art expression with philosophic, allegories, <br /> aesthetics values, that presented by new artistic technique. This vision is a <br /> crystallization of three elements; they are the paradigma of art pluralism, of <br /> philosophic of Batak aesthetic, and of technology that combined in an integrated <br /> concept. <br /> The "Independenism creative vision" has as its main basis the respecting of <br /> freedom in creative process, the freedom in making expression, and alternative <br /> aesthetics. It is a concept that gives priority to scientific understanding of subject <br /> matter, so, it seen the past as a source of creativity but with new views and <br /> respect. Therefore, it has used the experimental method in presenting the body of <br /> art in cylindrical pillar form to produce alternative works. The contemporary art <br /> works that have theirs roots in non-physical values of Batak art-culture. It is <br /> expected that the experiments had carried out to be meaningful for development <br /> of contemporary Indonesia Art and make contribution in welcoming the <br /> possibilities of future art. text
institution Institut Teknologi Bandung
building Institut Teknologi Bandung Library
continent Asia
country Indonesia
Indonesia
content_provider Institut Teknologi Bandung
collection Digital ITB
language Indonesia
description Sem C. Bangun. Tradition of Batak Ethnic in Contemporary Art Works (2001). <br /> Final Project. Bandung: Study Program of Pure Art of Post-graduate of FSRD of <br /> Institut Teknologi Bandung. <br /> The traditional visual art of Batak is a heritage of Indonesia art-culture that does <br /> not know the differences betweenn craft and pure art. Whereas, the contemporary <br /> art is one that. Whereas, the contemporary art is an art that pluralistic in its nature <br /> and conceptual, that opened widely for every possibility of creative. <br /> In forming the concept of . creative vision, it has used descriptive method and <br /> action study to generate the works contemporary arts. The examinations indicate <br /> the Batak Ethnic has three principles of aesthetic; they are rumbang (correspond), <br /> metunggung (appropriate), and mehaga (glorious and charismathic). <br /> The concept of creative vision has found is "vision of independemsm", it is a <br /> creativity concept that stressed on art expression with philosophic, allegories, <br /> aesthetics values, that presented by new artistic technique. This vision is a <br /> crystallization of three elements; they are the paradigma of art pluralism, of <br /> philosophic of Batak aesthetic, and of technology that combined in an integrated <br /> concept. <br /> The "Independenism creative vision" has as its main basis the respecting of <br /> freedom in creative process, the freedom in making expression, and alternative <br /> aesthetics. It is a concept that gives priority to scientific understanding of subject <br /> matter, so, it seen the past as a source of creativity but with new views and <br /> respect. Therefore, it has used the experimental method in presenting the body of <br /> art in cylindrical pillar form to produce alternative works. The contemporary art <br /> works that have theirs roots in non-physical values of Batak art-culture. It is <br /> expected that the experiments had carried out to be meaningful for development <br /> of contemporary Indonesia Art and make contribution in welcoming the <br /> possibilities of future art.
format Theses
author C. BANGUN, SEM
spellingShingle C. BANGUN, SEM
TRADISI ETNIK BATAK DALAM KARYA SENI RUPA KONTEMPORER
author_facet C. BANGUN, SEM
author_sort C. BANGUN, SEM
title TRADISI ETNIK BATAK DALAM KARYA SENI RUPA KONTEMPORER
title_short TRADISI ETNIK BATAK DALAM KARYA SENI RUPA KONTEMPORER
title_full TRADISI ETNIK BATAK DALAM KARYA SENI RUPA KONTEMPORER
title_fullStr TRADISI ETNIK BATAK DALAM KARYA SENI RUPA KONTEMPORER
title_full_unstemmed TRADISI ETNIK BATAK DALAM KARYA SENI RUPA KONTEMPORER
title_sort tradisi etnik batak dalam karya seni rupa kontemporer
url https://digilib.itb.ac.id/gdl/view/1767
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